A Quote by Jake Hager
I think Bellator is the place for me to hone my craft and they have a great selection of heavyweights here. They put on a great card every time so it's really exciting to be a part of that.
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Somebody with a huge brand like Bellator under an even huger brand like Viacom, to have them put their faith in me, to put me in so many things, to put me in commercials, send me to all these events, and just to continue to put me in the cage with great talent, it's great.
I will say from the outset, I think if you're great, you're great from the very beginning. And because I do think it is innate and I do think it is a gift you just have, and I don't think you can - you can hone the skills of a director, but sadly, I do think that you are born a great director. I think it's just in you and it's something that is deep in you. But, I find it can be difficult working with first-time directors, but it's also moving.
Phunny Business is a breezy, vivid, funny, star-studded and delightful valentine to comedy, entrepreneurship and the All-American impulse to make something out of nothing. The story of comedy club owner/inveterate dreamer Raymond Lambert and his heroic quest to create a safe, productive place for black stand-up comedians to hone their craft and find their voices isn't just a great Chicago story and a great comedy story: it's a flat-out great story, lovingly and engagingly told.
The best part of being on a television series for all those years is that you really get to hone your craft.
I think that my favorite album has to be 'The Fix' because I was in a very comfortable place. Mentally, financially... I was in a great place. Def Jam really took care of me, Lyor Cohen took care of me and that's why that great. Kanye West was just starting off and being the great producer that he is - it came out incredible.
I really believe in myself. I'm the hardest worker I know, and one of the best songwriters. There's a craft to it, and it takes a long time to hone it, and I work really hard at it.
Even though I don't write about things that come from my life because I'm lucky, and I live in a great place with great kids and, you know, a great husband, I think you can find threads of me in the characters, so that's really what being a writer is, probably.
Maybe Bellator would not be a great fit for this guy but would be for this guy. Maybe the UFC is a better call for this guy, but then Bellator is better for that guy. I don't think you can make a blanket statement and say that this organization is great for everybody compared to this organization. Take it case by case.
It's like every time you have one of these, you're sort of - your lease is renewed another five years. And that's kind of great for me 'cause that's all I really want to be doing still at this point, like just making records and getting to work with, like, artists that I think are exciting.
I don't really put too much pressure on myself. The only time people feel pressure is when they put it on themselves and listen to the outside stuff. I have great teammates and great coaches that do the right things around me that allows me to just focus on the game of football.
Where every moment is about truth and I think it's a great challenge every night. That's what really drove me to wanting to do theatre, and it's great.
It's an unbelievably tough process. And there ain't no bums in the Hall. I mean, they're putting in great players every year. The selection committee they have, I believe, is the right selection of people.
I had a great contract coming out of the UFC into Bellator, but it was that second contract that made me really, really happy.
All these other heavyweights are great challenges for me. But they have had their time - and I need to be 100 per cent ready for these fighters - but I don't fear any of them.
I think we need great artists making great work - women, men, whoever. I think what's great about TV now is there are so many different platforms that you can make really specific, specialized content. I wouldn't have gotten this part because I'm not really considered a "traditional romantic lead," so I created it for myself.
It's got to be a challenge but at the same time you have to feel as though you can play them - it's really dangerous to want to be a part of something just because you think it's going to be great. I've been sent plenty of scripts where I've known that it's going to be a great film and a successful one, but I just couldn't convince myself that I was the right person for the part. So, I think you have to be careful with that.
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