A Quote by Jake Owen
But that's the problem with playing new music sometimes before the record comes out: You have a bunch of yayhoots with opinions.
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It's a very smart, progressive bunch, these people that make country music. They're not country hicks sitting behind a desk with a big cigar giving out record deals and driving round in Cadillacs with cattle horns on the front grille: it's a bunch of really wonderful, open-minded, great people down on Music Row that make this music.
One of my pleasantest memories as a kid growing up in New Orleans was how a bunch of us kids, playing, would suddenly hear sounds. It was like a phenomenon, like the Aurora Borealis -- maybe. The sounds of men playing would be so clear, but we wouldn't be sure where they were coming from. So we'd start trotting, start running-- 'It's this way! It's this way!' -- And sometimes, after running for a while, you'd find you'd be nowhere near that music. But that music could come on you any time like that. The city was full of the sounds of music.
Despite the fact that Starbucks has grown to be a large company. We've always played music in our stores and has always acted as an opportunity to create a mood in our stores. And customers started asking, "What song are you playing and can I buy that?" . And we said "No." And that was kind of the catalyst for beginning to look at music. We started out with our own compilations and after the success of that. We had the courage to say, "Let's produce our own record." and the first record was with Ray Charles before he unfortunately passed away.
Early American music and early folk music, before the record became popular and before there were pop stars and before there were venues made to present music where people bought tickets, people played music in the community, and it was much more part of a fabric of everyday life. I call that music 'root music.'
On our Web site, we have people complaining about us not playing new stuff. But there's so many classic Lynyrd Skynyrd songs, you can't go out and just do a bunch of new things.
I hate that my opinions are gonna be on record... that my opinions of other artists are going to be on record.
I still make music. I still write music and I record music, I just don't trust music promotion [and] distribution right now enough to record a new set of diligently worked-upon compositions. I do trust the audience and the audiences very much.
I’m wearing out this new Coal Men record. I think it’s masterful start-to-finish. Dave Coleman is one of Americana music’s great songwriters, and I hope this record gets the attention it deserves.
I started off playing by ear, and being around a bunch of musicians and playing in the streets and in the different parades and, then, I got accepted to go to New Orleans Center for Creative Artists ... it's where Wynton Marsalis, Harry Connick, Jr. and all those guys went out.
I have no problem going on record with this and probably have gone on record with this before, there aren't that many people who I respect. There just aren't.
Before I had a record deal, I was living in New York and playing anywhere I could, from somebody's house to an open mic to coffeeshops.
Playing music for as long as I had been playing music and then getting a shot at making a record and at having an audience and stuff, it's just like an untamed force... a different kind of energy.
I did record a bunch of stuff, but the thing that usually stops me from doing that is that I'm a terrible singer. I made a bunch of instrumental music, and it feels really good, but just as a singer, I'm not good.
Way before we got a record deal, we were playing clubs seven nights a week, three one-hour sets a night. Then we got the record deal, and we took off on the road and stayed out.
I would have loved to record with Paul McCartney on some of his early solo recordings, wonderful music. Playing some lovely organ, perhaps. I would have loved to record with John Lennon. He was a dear friend. I had lunch with him just two days before he died.
When radio stations started playing music the record companies started suing radio stations. They thought now that people could listen to music for free, who would want to buy a record in a record shop? But I think we all agree that radio stations are good stuff.
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