A Quote by Jake T. Austin

I always feel a bit vulnerable when I begin a new project, especially when I am playing a character with either a troubled past or unique personality. — © Jake T. Austin
I always feel a bit vulnerable when I begin a new project, especially when I am playing a character with either a troubled past or unique personality.
Since I am first of all a character writer, that character's emotions are as vivid to me as my own. I always begin with an emotion after I have established a character in my mind. I feel what they feel. I guess that is why it comes across so strongly.
I'm always playing extremes, either the vulnerable girl or the vixen.
When you're the guy inside of a character and you've lived with it for almost two years, you're always a bit defensive about the character, and you want to root for the character you're playing.
I'm always anxious when it comes to my kids. This always makes me feel very vulnerable. Sometimes you think you aren't a good mama, you always feel a bit guilty when you're a mom. You want to be everywhere.
Getting into the personality of the character I am playing in 'Love Sonia' was a challenge.
I feel most vulnerable when I am underprepared - for instance, if I have an audition and haven't worked through the material enough beforehand. Also, if I am running late, I feel completely vulnerable because I am usually the person who is early to everything so that I can settle down and breathe before jumping in to the task at hand.
I am convinced, the way one plays chess always reflects the player's personality. If something defines his character, then it will also define his way of playing.
As an actor, I always feel that each and every character in my films has to be distinct. The character Thilak that I play in 'Kavan' will be one such unique role in my career.
Playing Unique hasn’t changed how I feel about myself, but it has changed how I hold myself. Unique is so confident that I found myself [saying], ‘You need to be the role model that your character intends you to be.’
While in other films I've always played a character, 'Naach' sees me playing a personality.
I feel vulnerable every day to the grace of God as expressed in every living thing. I feel vulnerable to the astonishing beauty of being alive and to Mother Nature. I feel positive when I feel vulnerable, because it's another reminder that it's not all about me and about my ego. And I actually think it's courageous to be vulnerable, and it's not something to be avoided.
I'm always attracted to the vulnerable character more than I am the superhero.
A rigid America is also weak and vulnerable, because it sacrifices its unique strength: the energy of people who think they can always make something new of their lives.
I always try to bring a little bit of my own personality to the character, or some sort of personal connection makes it a little bit more of an organic portrayal and the audience can kind of maybe believe it a little bit more. But I always look for something to kind of connect with and identify with, or bring something of myself to the table.
It is distrust of God to be troubled about what is to come; impatience against God to be troubled with what is present; and anger at God to be troubled for what is past.
I feel a bit scared at times as I feel if I am not convinced about the scene, the audiences won't be either, so I have to give my best.
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