A Quote by Jake Weber

Especially on television, it's not so much a patriarchy; it always seems that there's a smart, strong woman calling the shots, and her doofus husband. In the sitcom world, it's almost a cliche that the women have the common sense, going back to 'The Honeymooners.'
Adultery is in most cases a theft in the dark. At such moments almost every woman betrays her husband's innermost secrets; becomes a Delilah who discloses to a stranger, discloses to her lover, the mysteries of her husband's strength or weakness. What seems to me treason is, not that women give themselves, but that a woman is prone, when she does so, to justify herself to herself by uncovering her husband's nakedness, exposing it to the inquisitive and scornful gaze of a stranger.
Under patriarchy, no woman is safe to live her life, or to love, or to mother children. Under patriarchy, every woman is a victim, past, present, and future. Under patriarchy, every woman's daughter is a victim, past, present, and future. Under patriarchy, every woman's son is her potential betrayer and also the inevitable rapist or exploiter of another woman.
In the beginning no power differential existed between male and female. God empowered both with full rights and responsibility to rule outward over all creation, not over each other. As we know all too well, the fall changed everything, precipitating male rule over women and also the rule of some men over other men, a.k.a., patriarchy. Within patriarchy, women no longer derive their value from their Creator, but from men - father, husband, and sons. Within patriarchy, a woman's value is gauged by counting her sons.
Formerly, many men dominated women within marriage. Now, despite a much wider acceptance of women as workers, men dominate women anonymously outside the marriage. Patriarchy has not disappeared; it has changed form. In the old form, women were forced to obey an overbearing husband in the privacy of an unjust marriage. In the new form, the working single mother is economically abandoned by her former husband and ignored by a patriarchal society at large.
I definitely am drawn to strong females who are successful, smart women because I am a woman like that. I think it's important to portray those kinds of women on film and television. Especially as a black woman, I think it's important.
I definitely am drawn to strong females who are successful, smart women because I am a woman like that. I think it's important to portray those kinds of women on film and television.
In 2013, I started playing Fara Sherazi on 'Homeland.' I love playing her, not just because she's a strong woman, but because for the first time, a Muslim woman is being portrayed on television as a regular person, rather than a cliche or collection of stereotypes.
“I'm not going anywhere.” Gently, he stroked her back, cradled her head. Was there anything more astounding or more frightening to a man, he wondered, than a strong woman in tears? “I've been right here all along. I love you, Eve, almost more than I can stand.” “I need you. I can't help it. I don't want to.” “I know. He eased back, tucking a hand under her chin to lift her face to his. “We’re going to have to deal with it.” He kissed one wet cheek, then the other. “I really can’t do without you.“
You know, there's nothing damnable about being a strong woman. The world needs strong women. There are a lot of strong women you do not see who are guiding, helping, mothering strong men. They want to remain unseen. It's kind of nice to be able to play a strong woman who is seen.
There was always a strong sense of femininity in the house, always that presence. And while it wasn't founded by a woman, the family always had this brilliant intuition for being surrounded by great women. Not that I am a great woman - I don't want to say that! - but there were always great women in different ages who had really a strong idea of style and could really translate the know-how of the house.
I think Hillary Clinton has made great strides in doing so, even though there are people who want to bring us back to the '50s and still define a woman by her husband and her husband's legacy. But she has proven herself to be a force on her own and is an example to us of how women should and can be judged on their own merits.
Its time we woke up,” pursued Gerald, still inwardly urged to unfamiliar speech. “Women are pretty much people, seems to me. I know they dress like fools - but who’s to blame for that? We invent all those idiotic hats of theirs, and design their crazy fashions, and what’s more, if a woman is courageous enough to wear common-sense clothes - and shoes - which of us wants to dance with her?
Common sense … has the very curious property of being more correct retrospectively than prospectively. It seems to me that one of the principal criteria to be applied to successful science is that its results are almost always obvious retrospectively; unfortunately, they seldom are prospectively. Common sense provides a kind of ultimate validation after science has completed its work; it seldom anticipates what science is going to discover.
I do think it's possible for me to go back to the studio, and for a lot of women filmmakers to be going back into studio filmmaking with a different sense of their own agency, and a different sense of the respect that they can command. When you asked the question about whether women want to be making big studio movies, the answer is almost always yes. It's just, how do they want to be treated? What is that experience going to be? And if you know the experience is gonna be shitty going into it, I personally am at a place where I'm not willing to punish myself any longer.
I like strong women - not necessarily a masculine woman - but I like strong women...say a woman who runs a C.E.O. corporation. I like a strong woman with confidence - massive confidence - and then I want to dominate her sexually.
A strong woman is a woman who craves love like oxygen or she turns blue choking. A strong woman is a woman who loves strongly and weeps strongly and is strongly terrified and has strong needs. A strong woman is strong in words, in action, in connection, in feeling; she is not strong as a stone but as a wolf suckling her young. Strength is not in her, but she enacts it as the wind fills a sail.
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