A Quote by Jakob Dylan

I don't feel like I chose to do music as much as I made a decision to not stop doing music. — © Jakob Dylan
I don't feel like I chose to do music as much as I made a decision to not stop doing music.
Around 2010, I kind of looked up and said, I'm 40 years old. You know, I chose music. I don't have a husband. I don't have any kids. Like, I chose music. So, I had to make a decision. Like, do I want to do something else, or do I want to go from journeyman to master? And I realized, I want to be a really good musician.
Because I work so much, people think that I have a team writing for me, but that's not why I chose to write music for films. I chose to write music because I like to write music. So every single note that comes out of my studio is written by me, and I wouldn't be able to do two movies at the same time.
I love making music. I feel like people often get into that 'you should only make music for yourself' kind of place, where they say things like, "I don't write for other people, I write for myself," and I feel like that misses the mark so much because music, especially pop music, is so much more than yourself.
I've just had a wonderful time doing Chinese music, and it's been so rewarding for me. I feel like there's so much potential in mandarin music, and there's so much, you know, ground left to be broken.
I didn't expect to have music as my main thing. I always thought I was going to be a lawyer. When I graduated, I was doing really well with my music in Malaysia. I had stable income, and I had really good momentum in the music industry, so I had to make a decision whether to stop that and continue being a lawyer.
I don't really like approach music to become famous. I've actually consciously made the decision that I'm just going to do music because I love it.
In many cases, the decision to study music has robbed them of the ability to play music. They have lost respect for music that comes from within because they have been programmed to feel "unworthy".
Just based on the primary adage of the necessity breeding innovation, it was just like 'Well, what makes me the guitar player that I am?' and I feel like I listen to so much different music, and I'm a student of so many genres of music, and I feel like it's fun to apply those things and anything super applicable to any type of music.
Guys like Future and me, we help create and shape the sound of music - not just Atlanta music, but music all over. If you really pay attention to the music being made, a lot of that is very heavily influenced by the stuff that we created. I listen to so many songs that's like, 'Damn, this sounds like my music!'
I like to think about music as a sport. But only in terms of golf, as far as the course being music and me being the golfer. So it's competitive but only with yourself. With the last one doing well, it made it a challenge to feel like I was improving in some way.
I still enjoy doing music. I'm not going to stop doing it, and doing it the way that I feel it should be done.
I started taking piano lessons when I was about four years old. My parents were both musicians. So I took piano lessons. I didn't like the lessons very much, but I was enchanted by music. Music always transported me somewhere. Singing made feel good and being able to play the piano made me feel good.
Music is my passion so I feel like I'll be doing this for a long time and God forbid if anything happens I'll still write music. So, I could write music for other people. I see myself making music for a very long time.
It was writing about music for NPR - connecting with music fans and experiencing a sense of community - that made me want to write songs again. I began to feel I was in my head too much about music, too analytical.
I love pop music, but I feel like the genre is overpopulated - there was so much bubblegum for a while, but I feel like Sam Smith and Ed Sheeran are bringing good, real music back to the radio.
Music made me feel like I was sexy. Music made me feel like I wasn't just a blind guy.
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