A Quote by Jakob Dylan
I do look at songwriting as a lot of work. I don't over-intellectualize music as a special medium that only some people deserve to do. I think it's something you do if you put the work in.
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I do look at songwriting as a lot of work. I don't overintellectualize music as a special medium that only some people deserve to do. I think it's something you do if you put the work in.
A lot of times I don't really work with people based on a look. I work with people I know, and that I think would bring something to the music. Ultimately I think that's the best way to go about it.
Yeah, it's odd when you look back at your own work. Some filmmakers don't look back at their work at all. I look at my work a lot, actually. I feel like I learned something while looking at stuff I've done in terms of what I'm going to do in the future, mistakes I've made and things at work or what have you.
That said, be mindful, to someone who's never seen any of my work, it's just a movie with actors. So it's only those who of course know the earlier work that will see something is afoot, so to speak. But I don't want to intellectualize.
I work with a lot of spiritual people. Now, when I say spiritual people, I not only work with priests, rabbis, and ministers - there's a tremendous amount of people, shamans, medicine men. It depends on the circumstances, what I'm tying in with that I find to be extremely important to do some type of spiritual work over the items before they are brought into the museum.
The trouble with a great many men is that they spread themselves out over too much ground. They fail in everything. If they would only put their life into one channel, and keep it in, they would accomplish something. They make no impression because they do a little work here and a little work there....Lay yourselves on the altar of God, and then concentrate on some one work.
I see people who work on their look and they work on their poster and their website and you know, the music will speak for itself no matter what. So if you put maybe like 95% of your energy on music and 5% on playing out and telling people about it. That's kind of a good equation.
Everybody goes to the funeral, but everybody laughs when it's funny. While entertainment is happening, that's just what it is, entertainment - until it crosses over into a whole 'nother situation. And now, me maturing, I look back at a lot of things, pushing forward, some things won't get my attention. Some things don't deserve my energy. I won't put forth so much on things, you got to focus on what's the matter at hand. That's to put out timeless music, and great albums.
I think 'MythBusters' is a step up from special effects because we not only have to make things look like they work, they actually do have to work. It's more challenging and even transcendental.
I think "MythBusters" is a step up from special effects because we not only have to make things look like they work, they actually do have to work. It's more challenging and even transcendental.
As an academic I feel I should intellectualize and theoretically analyze when all I really want to do is let the work take me somewhere, manipulate me, and then rough me up a bit. When it comes right down to it, I only want to spend time with work that makes me think and teaches me something while making my body react.
Everybody has their own approach to songwriting. When you're an electronic musician, the whole writing process just depends. Some people have a very live way of writing electronic music, very improvisational. They set up a lot of gear and do live takes. I'm concerned with having a specific kind of sound. There's not one second that I haven't put thought into. I put almost as much time into my live shows as I do into writing music, but they're two completely different processes. Some people think the way I perform live is how I write songs, which isn't true at all.
Just because something's kinda indie and whatever and only a few people know it, it doesn't give it more authenticity over Rihanna's 'Work' work work.
There isn't a day I do not work at my job, or a waking moment when I do not think through a work-related problem. Even my critics cannot begrudge the long hours I put in. Our people deserve a government that works just as hard as they do.
I'd like to actually work with a lot of other people, and whether it's someone who is completely unknown who I love and think is a talent, maybe I'll work with them, or, like, maybe I'll work with some of the biggest pop stars and write music for them.
You think you've made something really great, but there's a reason why it's not resonating the way some previous work did. But it's not that easy to just replicate. Some people think, "Oh, just go do that thing you used to do before." But it just doesn't work like that. It's a lot more mysterious or slippery.
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