A Quote by Jakob Dylan

I got to watch my heroes meet him and saw how they reacted, whether it was Joe Strummer or Tom Waits. It was peculiar. I'm so stoked to meet Tom Waits, and he's so nervous to meet my dad. It's a head spin.
I heard Tom Waits in this kinky shop on Belmont Street in Chicago. Considering the way I was raised, they were such obscure voices, but their music saved my life - I didn't know who I was before I heard Bob Dylan and Tom Waits.
I'd love to do a song with Tom Waits. Around when I was like 17 or 18, my buddy, D-Money, put me on the Tom Waits and I literally at that point got every one of his albums and kind of studied his music. I like that he provides an entire world for the listener. He's hopefully someone that I could vibe with down the line. I'm not sure how it would sound or even how it could work, but he's always been a huge influence.
Leonard Cohen can give you "Leonard Cohen" - the self-deprecating wit, the slow, considered speech, the perfectly-honed anecdote - Tom Waits is far more comfortable giving a journalist "Tom Waits" the character, whose conversation is really a series of strange tales, learned or ad-libbed.
My heroes: Nick Cave, Tom Waits, Nina Simone.
When you meet your idols, I'm not one of those people - like if I saw Prince on the street, I wouldn't say anything. Because I'd want him to meet me. You want to meet people on the right terms or if there's a reason for you to meet.
I have a piano in my kitchen. I read a great biography about Tom Waits that said that he had a piano in his kitchen; he had a grand piano in his kitchen. And I thought, 'Well, if Tom Waits has one, then I must.'
Who is Tom? There is no Tom. If we sell a pair of shoes today, we give away a pair of shoes tomorrow. Originally we thought of "Tomorrow's Shoes," but I could only fit "TOMS" on the label. I had no idea everybody would want to meet him. There is no Tom; it's an idea for a better tomorrow.
I can count on one hand the people who are legendary in my book, and Tom Waits is certainly right at the top. It's funny, though: When I tell people that I like Tom's music, it surprises them.
I never got a chance to do Tom Waits or PJ Harvey kind of stuff in the Gaslight Anthem.
And again, this connection that you get: I meet Joe at church. Joe's connected to a whole network of people I don't know. Joe likes me. He invites me over to his son's birthday party, and I meet his whole family. I meet his friends. I get to know his neighborhood. That happens all the time.
I've covered so much Tom Waits. He's one of my favorite writers. I have a real affinity to how he writes.
You must hold on to the sort of finger-painting aspect of music. That's something I learned, particularly from listening to Neil Young. Tom Waits is another one, because Tom's music is incredibly sophisticated and beautifully arranged, but he's using a toolbox that's unlike anybody else's.
One of my favorite people I got to meet was my childhood idol, Vincent Price. I got to not only meet him, but become friendly with him before he passed away.
When I was 17, my producer Rodney Jerkins was working with Michael Jackson at the time. He knew how much I wanted to meet Michael Jackson, so he says, 'Would you like to come and meet him?' I'm like, 'Are you serious? Of course I want to meet Michael Jackson! Where do I meet you? Where do we come?'
I don't keep a list of people I want to talk to. It's organic. But I'd like to interview Tom Brady. Someday I'd love to meet Vladimir Putin. I'd ask him how he sees the landscape of the world, what could make it better, how that could be done.
I had a great conversation with Tom Waits, of all people.
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