A Quote by Jaleel White
I took opportunities, big or small, to show that I was a constant professional. I feel like the Sam Jackson of network TV drama.
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And there's wordplay and there's rhythms and you have to be able to get the poetry out of it. You have to be able to sell my jokes. And if you're talking about somebody like Sam Jackson, they do that. Sam Jackson can do that. Sam Jackson can turn it into the spoken word that it was always meant to be and he can sell my jokes. And Christopher Walken can do it and a lot of people can do it, all right.
I like sets that feel small. Sets that feel really big are difficult. When you're on a big set it feels like there's constant mis-communication.
Perhaps 'Big Bang' fans feel so protective of the show because it is, despite being a hit show on a big network, something of a word-of-mouth phenomenon.
[Exorcist ] is given all of us a great opportunity to show something new on network TV, in terms of the quality of it. It feels much bigger than a network show.
I've been on my share of network dramas and comedies, and the problem sometimes in a network is they have a single-minded focus on making the show true to whatever genre it is. If you're on a drama, it better be procedural, it better fulfill all the demands of a procedural show, and you better keep those episodes independent, so if I'm watching the show in seven years as its syndicated on some other cable network, I don't have to know what happened before or after the episode. If you're on a comedy, everything has to be funny and wacky and zany.
I went to NYU drama school, so I was a very serious actress. I used to do monologues with a Southern accent, and I was really into drama and drama school. And then, in my last year of drama school, I did a comedy show, and the show became a big hit on campus.
Sometimes I feel that in religious content, religious drama, it's almost told like a tale, like an account of facts, and in 'A.D. The Bible Continues,' it's drama, it's real drama that we like to see on TV today, seeing the characters struggle and doubt and be completely in conflict with each other, kind of like 'House of Cards.'
It's very, very hard to create something that is big these days because you have niche markets - and, you don't necessarily need to be big; the show is specifically created for a small group of people. You know, if it's on the USA network, well, then a small group of people is fine.
I don't like to be compared to Joe Jackson. because Joe Jackson, I think, took money to throw World Series games. Well, I know I bet on my own team to win. There's pretty much a big difference there, but both of us were wrong.
I think TV is all about caring, and if you don't care about a character in a drama or a person when they get voted out of a reality show, it's bad TV. I wouldn't care if you dropped a bomb on the 'Big Brother' house.
When you hire Sam Jackson, he'll figure out the character, and he'll figure out the character's look, and he'll provide it to you. With Sam Jackson, you basically yell 'action', you go get a sandwich, and you come back and yell 'cut.'
I really have no preference between TV and film. I think that each individual project is its own thing and has a very different style. I have worked on big movies and small movies and network TV. I have had amazing experiences in each environment, and awful ones - more good than bad, though.
The fact 'Twin Peaks' had a life at all took most of us in the cast by surprise. We thought it would be too unusual for network television. The original intention was that it would be a two-hour movie. If the network didn't want to pick it up as a series, it could just show that. But ABC took a chance.
To go from working with a group of people in a sketch-comedy show on a small network, where it was all about just creating funny stuff, to being on a network show, and the pressures of that, and getting to know the new people who were involved in it. There was a learning curve for me. But it was an education.
Career wise, I'm looking into different opportunities to do a TV show, but in some way that's not a goal in itself. To me, the goal is creating content and doing fun stuff that I'm proud to show. I don't want to do a TV show for the sake of doing it.
The whole saas-bahu drama is very cliched. I feel there's already too much of that on TV. So I was waiting for something like 'Kuch Rang Pyar Ke Aise Bhi.' The show offered a fresh and interesting plot.
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