A Quote by Jalen Ramsey
If you look at my film, what do I do every week? I play press, right?
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Right afterwards there was a whole, whole lot of press to do, so the week after, all day, every day, was press so I didn't really get a chance to celebrate.
From a writing standpoint, maybe television is a little more satisfying because it's not all hinging on one thing. You can experiment, week to week, and you can be a little narrower in your scope one week, and then be a little broader the next week. But with film, everything can look the way you want it to look. You can really sculpt the final product. So from a directorial standpoint, film is more satisfying. But, they're both forms of media that I'd like to keep involvement in.
It [TV] is the cancer of film. It's why people can't be educated to film. In the late '60s, we expected to see a movie or two every week and be stimulated, excited and inspired. And we did. Every week after week. Antonioni, Goddard, Truffaut - this endless list of people. And then comes television and home video. I know how to work exactly for the big screen, but it doesn't matter what I think about the art of movie-making versus TV.
The feature film has changed a lot. Art houses are gone and people show a certain type of cinema in the big theaters now that, you know, it's not quite really good for me, and if I made a feature film, I was think I'd play in LA and New York for a week, and then go right to television.
I was a repertory actor, which meant that I did a play every week. I was a different character every week; for a year, I was doing 40 or 50 characters.
I know my role on this team, and I'm expected to prepare and to perform every week and play well. I relish that opportunity - to be somebody the guys can count on week in and week out, to play really well. That's what really motivates me: to make my coaches proud, my teammates proud, and the fans proud.
One can do a film and not work for six months, but on TV, you have to produce good content every week. It involves a lot of hard work, as one has to fight for ratings every week. But I have always got love from the audiences, be it during 'The Great Laughter Challenge' or 'Comedy Circus.'
Last week I was in London at an awards show, then I flew home and was in an RV park with my wife and kids in our motorhome, this week I'm in NY doing a charity event, and tomorrow I'll be coaching my daughters soccer practice. I guess the range of roles I play on film stem from the range of roles I play in real life.
You speak to the press at the Tour every day, but most often in a negative sense. Ninety per cent of the questions you are asked in the post-race press conferences are challenging or provocative, so you have to justify yourself; you have to try to give the right answers about every topic across the board.
I can't bear the thought of retirement, and I haven't prepared myself for it. I don't play bridge, and I don't play golf. I do play tennis, but you can't do that every day of the week.
I really enjoyed multicamera comedy. You film in front of a live audience, and it's kind of the best of both worlds. It's like doing a one-act play every week, but if you screw your lines up, you get to do it over.
Press freedom is not just about journalists, right? It's not just about us, it's not just about me, it's not just about Rappler. Press freedom is... the foundation of every single right of every single Filipino to the truth, so that we can hold the powerful to account.
You cannot play every week, and a couple of weeks away is vital. When you look at Federer's record and the number of Slams he has competed in, it highlights how he plans so far in advance.
It's one of the best feelings in the world to hit the quarterback like that, hear the crowd go crazy, and then to watch it on film. You look forward to those types of plays. The best part about it is that you never know when it's going to come. Every play you've got to go hard and every play you've got to think and believe that you're going to get that quarterback sack. If you don't get it that play it might be the next play so you've always got to be thinking about it, and when it comes, it's the best.
'The Custodian' was my first film, and there were so many lessons to learn in that week. It was really fun, but for me, I look at it as a training film, and I'm not really proud of my work in it.
I just really just try to get better as a player every week, just focusing on the team we have to play this week, and just trying to do whatever is best for the team that week.
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