A Quote by Jalen Rose
We don't know what's going to happen this summer or who's going to be here next year. We have no control over any of that. So, we're going to play our [22 remaining] games and do the best we can and show up for the New York Knick fans. That's the most important thing.
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How can you wonder what's going to happen when you don't know who's going to be the new guy in town? It's the age-old thing - it's such a cliché - but why worry about things you have no control over? What I can do is try to get this club to continue to play well. That's all I can do.
For me, I always feel that I'm not sure what's going to happen next year or what's going to happen the year after or what's in the future. So I really kind of just focus on the project at hand and try to do the best that I can. And that, for me, is as much as I can control.
I was more tuned into the assassinations, the riots that were going on, like in Watts, and, in fact, my summer before my senior year in high school I went on the Experiment in International Living to Sweden, yes, with a group of students , you know, leisurely discussion over the summer about, you know, where we were going to go with our lives, and how did you how did, you know, being a born-again Christian mesh with being, you know, a socialist from New York.
For me, the most important thing is running a good clubhouse. The X's and the O's - you sit up in the stands and, for the most part, a lot of fans go to the game and they know what's going to happen. You're going to hit and run, steal, put a pitcher in, take a pitcher out.
We don't sell wins or losses. The one thing you can't control in sports is which games you are going to win or which games you are going to lose. But what I could control was the experience the fans have.
Terrible things happen all of the time, and they can happen in a second. The best thing is to be prepared to react. If you try to control every little thing, you're going to end up miserable - and you're going to fail.
When your show keeps coming back, year after year, you have a responsibility because your fans know your show sometimes better than you do. You can't play games with them. You have to be really focused and concentrated, and play at your best in every department. The writing staff has to be fantastic. Our director line-up has to be great. Everything has to be better and better. Your fans keep track of the details.
The way that I look at it is that, when we film for eight months straight for a new 'Jackass' movie, I know that I'm going to wind up with at least two broken bones. I don't know when it's going to happen, but you can't contemplate how you're going to fall and what's going to happen.
And it's best if you know a good thing is going to happen, like an eclipse or getting a microscope for Christmas. And it's bad if you know a bad thing is going to happen, like having a filling or going to France. But I think it is worst if you don't know whether it is a good thing or a bad thing which is going to happen.
There were many times that I took such a big hit that I was dazed; I'm not going to lie. I'd see black, but I'm still looking for the puck. Where's the play going? I'm going to keep going. Same thing in figure skating. If I take a hard fall, I'm going to get up, and I'm going to do the next jump.
If you really think that houses prices are going to go up next year and the year after, you feel if I don't buy it this year, I'm going to have to buy it next year. [...] And when somebody makes it very easy for you to do it by saying you don't really have to put up my money, you can lie about your income a little, or we'll give you 100 percent mortgage, you're going to do it, because everybody that's done it has been proven right. You have what they call social tools, and, you know, you're going to feel like an idiot if you didn't do it, because the house cost more.
You have to trust your instincts and hope the fans like what you do, but you don't gut check with the fans. If we're going to make a series, people are going to have a lot of opinions and if there's one overwhelming majority or one thing you continuously hear repeated from the fans, you certainly take that into account going into next season.
When I see an image in my head that compels me, where there's this mystery about what's going to happen next or could happen next, I'll be intrigued. There are so many scripts that you read, and you know exactly what's going to happen, and there aren't too many where you can't tell within the first 20 pages where it's going.
Right after the show tonight, I'm going to the New York City car show. You get to see the models that will be crashed next year by drunken Secret Service agents.
It is important for investors to understand what they do and don't know. Learn to recognize that you cannot possibly know what is going to happen in the future, and any investment plan that is dependent on accurately forecasting where markets will be next year is doomed to failure.
We authors certainly don't know what is going to happen to our books. Are they going to disappear into the ether, following music downloads, or are ebooks going to open up a whole new world of readers? And how much are we being paid per copy? We haven't a clue.
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