A Quote by Jam Master Jay
With this CD technology, you can just remix a record right there on the spot.
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Puffy's contribution to hip-hop culture was the remix. He offered us the music that his mom played in front of him, with newer drums and younger artists. That worked, and will consistently be there. The remix comes right after the original record, that's something Puffy did to influence the culture.
I have friends who have a CD mastering plant in Hollywood and they are very sceptical about European record labels' understanding of digital technology.
I'm old enough to remember the advent of CD. You thought, "What's this piece of space age technology that's in front of me?" Now I ask, "When's the last time you bought a CD?" You see things come and you see things go, and you have to be on your toes and be nimble and stay with it, or you die. It's exciting. I love technology.
All I can focus on right now is playing that record as best we can each night on stage, and that every article or radio spot that I do gives the best depiction of what we're trying to say with this record. The next door will open when it's time to open, and hopefully I'll be lead into the right one.
'It Still Moves' is really the only record in our catalog that I've always felt I wanted to remix. Part of the fun of that record was that we recorded it all to tape, and it was all super-duper organic.
We, as a band, are going to try to do a remix pack for some of our latest songs and do as much as we can. Every single that we release gets that. That's the thing that we enjoy. You meet a lot of talented producers and DJs, you revisit friends and ask them if they want to do a remix, that's one of the beauties in it right now: hearing different versions of our versions and just being able to put those out, as well.
When CD technology first came out, it was just so much waste.
Sometimes I start doing the remix and I just can't find anything good, so I just decline after trying. And I never give a remix if I don't like it. That makes some people angry, but I'm not a production house making remixes, and I try to do them in an artistic way, not trying to repeat myself.
I'm not gone remix a record I don't got no love for.
We aren't just some record to put out before the new Pussycat Dolls CD!
'Despacito' is phenomenal; you can't really chase that type of success. I'm a huge fan of the record, the original, and then when the remix came out, I said, 'Oh my God, it just got greater!'
It just amazed me that so many people came to see my show even to a place that I've never been to. I was independent for a long time and I knew every person who I sold my CD to. But now with a major record contract, you don't get to meet every person who buys your CD. It's a new feeling, and it's very inspiring that they have been waiting for me to come to their town and sing.
Sometimes, there are spots that need to be filled and you just have to be at the right spot at the right time or the wrong spot and the wrong time.
The CD, it should be noted, was born out of greed. It was devised to prop up record sales on the expectation of people replenishing their record collections with CDs of albums they had already purchased.
A lot of my friends loved Pearl Jam, so whenever I'd hang out with them, that was usually what CD - not album - back then, it was what CD, maybe even tape, but what CD was playing.
In one of my songs, in the song on the "Why?" remix that I did with Jadakiss in 2004, I said, "Why is Bush actin' like they tryin' to get Osama? Why don't we impeach him and elect Obama?" This is in 2004 on the "Why?" remix and I said that because I really had belief that Obama was the right person to be president
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