We've come a long way from having one land line that was forbidden to be answered during dinner. We had no answering machine, just a dad who barked, 'Who calls during dinner? If it's important, they'll call back.' He was right.
Hazel had read enough books to know that a line like this one is the line down which your life breaks in two. And you have to think very carefully about whether you want to cross it, because once you do it’s very hard to get back to the world you left behind. And sometimes you break a barrier that no one knew existed, and then everything you knew before crossing the line is gone. But sometimes you have a friend to rescue. And so you take a deep breath and then step over the line and into the darkness ahead.
I don't ever cross the line. I step right up to it. I put my toes on the line, but I don't ever cross that line. There are some barriers you just don't cross - you don't talk about religion; you don't talk about race. Those are lines I will never cross.
As a writer, you're always trying to say the best thing. You're always thinking about what's the best thing to say, and what's the hardest way to say it, and what's the best line? Sometimes the best line is the simplest line. Sometimes the best line is the line that evokes more feeling than actual wordsmithing.
I've always tried to walk a line between being incisive and acerbic, but not mean. Sometimes I'm going to tip over the line a little bit, but that's usually a line I try not to cross.
Sometimes, as a comedian, a line will come to you, that is so beautiful, so perfect, that you think: I did not create this line. This line belongs to all of us. Surely this is a line of God.
Sometimes, as a comedian, a line will come to you, that is so beautiful, so perfect, that you think: I did not create this line. This line belongs to all of us. Surely this is a line of God
We actors can't say every line as if it has weight, but what we want to do is be true to the meaning of each line, whatever it is. Even the lines that are throwaway may come back later.
I am not afraid to cross the party line. I never have been.
Being the first to cross the finish line makes you a winner in only one phase of life. It's what you do after you cross the line that really counts.
Sometimes people are so close to the material, they miss an important cross-reference. You can't drop this line because half an hour later, it affects that line. And the writer is the person who knows that immediately.
I think of shock as kind of an uptown form of surprise. Comedy is filled with surprise, so when I cross a line... I like to find out where the line might be and then cross it deliberately, and then make the audience happy about crossing the line with me.
My wife knows that interacting with actresses is all part of the job, but there is a line which I'm not supposed to cross, and as long as I don't cross it, there are no problems. She doesn't bother with whatever I do onscreen. But the line is always there!
The merit of the cross does not consist in its heaviness, but in the manner in which we carry it. I would even say that it is sometimes more virtuous to carry a cross of straw than a heavy cross because we have to be more attentive for fear of losing it.
There's an old adage of, 'This is what I do, it's not who I am.' There is a line that gets blurry at times because you sometimes become your work, or you sometimes put so much into your work that you can't separate from it. It swallows you up. It really happens during the season and it's a difficult line to manage.
Thee are such horrible weapons. And so no sane leader would ever want to cross that line to using nuclear weapons. And, if you are not going to cross that line, then these things are basically useless.