A Quote by Jamaica Kincaid
Why is a picture of something real eventually more exciting than the thing itself?
Related Quotes
A picture, to be an interesting picture, must be more than a picture, otherwise it is only a reproduction of an object, and not an object of value in itself.
These days I think the composers of music influence me more than any photographers or visual creators. I see something exciting or lovely and think to myself: 'If Papa Haydn or Wolfgang Amadeus or the red-headed Vivaldi were here with a camera, they'd snap a picture of what's in front of me.' So I take the picture for them.
There is no reason why the profoundest thoughts should not make easy and exciting reading. A profound thought is an exciting thing as exciting as a detective's deductions or hunches. The simpler the words in which a thought is expressed the more stimulating its effect.
Nothing really says ... interactivity - which was so exciting and captures the real, the Web Zeitgeist of 1995 - than 'Click here for a picture of my dog.'
Define self-awareness and tell me what it is about it that requires something more than a material explanation. I do not accept the burden of explaining all phenomena, real or imagined. If you think more than matter is required for this thing you call self-awareness, which you have not defined, then you have the burden of showing why.
I do believe my personal spirituality, which spirituality itself I don't really equate to anything more than my personal connection with nature and the universe. With what is real, not a manmade contrivance. Finding a connection with those things through my music is something I've begun to take more seriously in order to understand why I feel that way.
It's very difficult to know when you're crossing the boundary. I hate the word boundary because I never think about it when taking a picture. Very often it doesn't mean anything because it depends on who's looking at the picture more than the content of the picture itself.
The solution to Iraq - an Iraq that can govern itself, sustain itself and defend itself - is more than a military mission. Precisely the reason why I sent more troops into Baghdad.
The human head is bigger than the globe. It conceives itself as containing more. It can think and rethink itself and ourselves from any desired point outside the gravitational pull of the earth. It starts by writing one thing and later reads itself as something else. The human head is monstrous.
... painting a picture is like fighting a battle; and trying to paint a picture is, I suppose, like trying to fight a battle. It is, if anything, more exciting than fighting it successfully. But the principle is the same.
I always remind people why The Oscars got started in 1928: It was an effort by the studios to suppress the unions. They started the Academy because all the screenwriters and directors and actors were unionizing, and they thought, "We'll have something that resembles a union, but that's completely controlled by the moneyed interests in Hollywood." That's what it's been all these years. It's something that reinforces Hollywood's image of itself. The Best Picture one year was Gandhi. Nobody watched Gandhi, but that's the kind of picture that always wins.
As I get older I find myself thinking about stories more and more before I work so that by the time I eventually sit down to write them, I know more or less how it's going to look, start or feel. Once I do actually set pencil to paper, though, everything changes and I end up erasing, redrawing and rewriting more than I keep. Once a picture is on the page I think of about ten things that never would have occurred to me otherwise. Then when I think of the strip at other odd times during the day, it's a completely different thing than it was before I started.
This is my first term. I was told it was going to be an exciting term, and a lot of things would be done, and I cannot think about something more exciting than save Social Security.
The research period of a film is the most exciting part of the process, and filming is sometimes a letdown because when you're dealing with biopic material, the real thing is always much more intricate than the story told in the film.
Few people in contemporary art demonstrate much curiosity. The majority spend their days blathering on, rather than trying to work out why one artist is more interesting than another, or why one picture works and another doesn't.
I don't know why, but if I was walking down the street, the same people who called me freak would probably ask for a picture. It's a real strange thing.
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