A Quote by Jamaica Kincaid

I loved Charlotte Bronte when I was little, and I wanted to be Charlotte Bronte the way people want to be a princess. — © Jamaica Kincaid
I loved Charlotte Bronte when I was little, and I wanted to be Charlotte Bronte the way people want to be a princess.
I would pretend when I was a child that I was Charlotte Brontë, because I'd read Jane Eyre when I was ten and, although I didn't understand it, I loved the idea that this woman had written a book. I wanted to be her.
I knew I wanted the parties in 'The Queen of the Night' to be convincing, beautiful, and also dramatic: situations where significant things happened on a scale that was both grand and intimate. There were several texts that helped me think about how to do this, and one of the most important ones was Charlotte Bronte's novel 'Villette.'
Reading was such a formative part of my childhood (along with 'Loony Tunes'), that it is difficult to pin point the most influential book. But, under an interrogation light I would probably have to say 'Jane Eyre' by Charlotte Bronte.
A few times a year I'll remember that I love old literature, too. Charlotte Brontë's "Jane Eyre" is one of my 10 favorite books. I have to go out of my way to remember to pick up a book like that, but when I do I'm blown away by how very relevant it still is.
I think I learned discipline on 'Jane Eyre.' Charlotte Bronte's dialogue, the intellectual duel between Rochester and Jane Eyre's character, is so compelling that you didn't have to do much with the placement of cameras.
Charlotte Bronte was writing about sex. I supposed Jane Austen was, too. Where do you get a hero like Darcy unless you are writing about sex?
I came here and actually fell in love with Charlotte and the Hornets. That's exactly what happened to me. I found a new way of motivation. Charlotte basically extended my career for the next seven years. I was thinking of retiring. I was 30 and played seven more years after that, just because basketball felt different here in Charlotte.
The writers who inspire me most are all women: Enid Blyton, Agatha Christie, Margaret Mitchell and Emily and Charlotte Bronte. As for contemporary novels, one of my favourites is 'Everyone Brave is Forgiven' by Chris Cleave. It's the sort of book to read if you've fallen out of love with reading - it reminds you just how brilliant novels can be.
Charlotte Corday walked alone Paris birds sang sugar calls Charlotte walked down lanes of stone through the haze of perfume stalls Charlotte smelt the dead's gangrene Heard the singing guillotine
I would say it was [ifluence] all the Greeks and the Russian classics like [Lev] Tolstoy, [Andrey] Goncharov,[Fedor] Dostoyevsky, [Alexander] Pushkin, and the international classics in Russian translation like Victor Hugo, George Sand, Charlotte Bronte, Sir Walter Scott, Mark Twain.
We read Charlotte Bronte not for exquisite observation of character - her characters are vigorous and elementary; not for comedy - hers is grim and crude; not for a philosophic view of life - hers is that of a country parson's daughter; but for her poetry. Probably that is so with all writers who have, as she has, an overpowering personality, so that, as we say in real life, they have only to open the door to make themselves felt.
But if you were Charlotte, and you had been feeling that life was some cosmic joke that had no punchline, and in the space of a moment you had gone from being Charlotte-without-a-kitten to being Charlotte-with-a-kitten, you too would have found it nothing short of remarkable.
My favorite piece of information is that Branwell Brontë, brother of Emily and Charlotte, died standing up leaning against a mantelpiece, in order to prove it could be done. This is not quite true, in fact. My absolute favorite piece of information is the fact that young sloths are so inept that they frequently grab their own arms and legs instead of tree limbs, and fall out of trees.
Most of Charlotte's character is really who she is. A lot of who Ashley is is Charlotte and the same with my dad. It's not like I'm the Joker.
Nom de Plume uses the device of the pseudonym to unite the likes of Charlotte Bronte, Mark Twain, Fernando Pessoa, and Patricia Highsmith into a cohesive yet highly idiosyncratic literary history. Each page affords sparkling facts and valuable insights onto the manufacturing of books and reputations, the keeping and revealing of secrets, the vagaries of private life and public opinion, and the eternally mysterious, often tormented interface between life and literature.
I moved to Charlotte at a young age, and despite how much I like Charlotte, I've always had a fascination with my hometown.
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