There are basically five ways to score in the half court. Layups, mid-range, three-pointers, free throws - and then what I call 'tough shots.' Tough shots come anywhere on the floor, under difficult circumstances. The ability to create that shot is a special skill in the NBA.
I think [Otto Porter Junior] just took a couple tough shots so far - a couple tough jump shots - but I think he has a great mid-range game, he's very tall and can create his shot. So, I think with more spacing he'll get easier shots, I think he'll be fine.
I spend a lot of time in the gym working on moves, working on difficult shots, figuring out ways to create space, becoming a tough-shot taker and a tough shot maker, especially down the stretch.
No matter what the trends are in the NBA - teams going big, going small, getting more efficient with analytics - the ability for a player to create his own shot, then convert tough shots, will always be a weapon, particularly when you get to the playoffs.
Making the tough shots and leaning in a certain way and a fadeaway and stuff like that, those are tough shots, but those are shots you have to learn to make in this league.
Some shots, for me, are a good shot even if it's forced. The way it might look to a person watching, they might look at it like, 'That's a tough shot.' But for me, it's not a tough decision. I'm committed to those shots, and I spend time working on them.
It's been a part of my game for life. It's tougher to finish in the lane so you've got to find different areas to score efficiently and the mid-range contested shot is a shot a lot of teams will live with. And it's a shot I'm willing to live with as well just because I've gotten so many shots at it and I'm comfortable with it.
For me, it's just finding ways to create shots. I feel like if I got a shot off, it has a good chance of going in. So it's finding ways of creating different shots. Being smart. I watch film a lot, and different tricks that I can do to get my shot off the ball and creating ways to get shots off of pick-and-rolls or one-on-one situations like that.
There's so many different styles to it. I use my athletic ability to create shots for open people, I run the floor, then also space the floor as well. That's what I try to do.
I think that Paul Gasol is the most skilled big man in the NBA today with his ability to post on either block, the way he runs the floor, and the way he can shoot the mid-range jump shot.
I feel that I can make certain shots, tough shots, and that I can play better when things aren't going well.
I am aware of what my opponent Avila brings and the experience he has. He's tough, throws hard shots and is a good counterpuncher.
I mean, defending isolations is easy, but it's hard at the same time. I think I'm a pretty good defender, but when you go against guys that can make tough shots, it makes you feel so bad, like, 'Oh, man, these guys just made a tough shot on me.'
It's one of my obsessions to come up with ways to reimagine establishing shots in new, non-boring ways. Shots that have energy and excitement.
I found out some of the spots on the floor that I like to shoot - do my little floater shots, my pull-up shots, being able to get all the way to the rim. By me doing that, it's kind of opened up my 3-point shot.
We just forced them into tough shots that whole overtime. It was a classic five minutes that we needed.
I was tired. I hadn't slept eight hours in two, three years. I lived on four, five hours of sleep. You can do it during a campaign because thousands are screaming for you. You're getting adrenaline shots each day. Then the campaign ends, and there are no more shots.