A Quote by Jamal Murray
The stuff that the cops do and the stuff that happens, what bothers us, the black community, is it's so blatant... It's so out in the open that if you can't see it, then you are part of the problem because it is very obvious.
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People think I'm against critics because they are negative to my work. That's not what bothers me. What bothers me is they didn't see the work. I have seen critics print stuff about stuff I cut out of the film before we ran it. So don't tell me about critics.
People are not afraid to be very direct with police. And I think that's part of the problem is that people are angry at the cops and then the cops are stressed out and they, you know, pay it backwards, so to speak.
Doing new stuff live is tough just simply because I pay my money, I stand in my seats, and I see the guys I love. And if I paid that ticket, there's a good chance that I'm there to hear the stuff that made me fall in love with 'em - we call it the "old stuff." And if an artist comes in town and dumps his entire new album on me, as a listener in a concert venue, it happens to miss out on the old stuff that I came there for. That doesn't work too well for me as a listener. Most of the time for concerts, it's the old stuff.
Creators of content on the Internet are very commonly creators of community. Often times, this community is the most interesting and the most valuable part of making stuff, and many creators require that relationship to inspire them to make stuff.
When it became easy enough to do dairy online, then I just thought, "Oh, I'll start doing this. I'll put the parts online that aren't going to get me in trouble. I'll save the rest for myself." It became also this kind of self-therapy. I could write about stuff that was bothering me, or personal stuff. And the very personal stuff I could edit out. But it was kind of the catharsis of getting it out and writing about it, that made me think, "Okay, I see why people do this, why they keep these diaries." So I thought, "Well, let's see what happens when I post some of it."
The Trump phenomenon has a lot of really good stuff in it, the anti-elitism, the concern for America's economy in the Rust Belt, the desire to see better days for the country. That's all great stuff. Some of that stuff is Bernie Sanders stuff. The problem is that it's marbled through with xenophobia and misogyny and bigotry.
Why aren't there enough black cops out there? We need black cops to come in and educate some of the white cops who have issues.
My ears are open to all sorts of stuff. I appreciate some of the big electro house guys.I love their music but I also like a lot of the stuff coming out of the U.K. Future garage stuff. A lot of stuff like that.
When we let cops talk about themselves as a separate community, then we are letting cops wall themselves off from the rest of us. We don't generally do that with any other jobs. We don't talk about the barista community or the Wal-Mart greeter community.
Blackness is a state of mind and I identify with the black community. Mainly, because I realized, early on, when I walk into a room, people see a black woman, they don't see a white women. So out of that reason alone, I identify more with the black community.
We literally see things so differently, all the architecture and stuff. That's the cool part about skateboarding. We're out there skating stuff that's not meant to be skated.
We're not here as a black band playing white string band music. You know, we play stuff in the Appalachians, we play stuff in the white community, but we really highlight the black community's music.
You're really spread out now, you've got stuff all over the WORLD! You've got stuff at home, stuff in storage, stuff in Honolulu, stuff in Maui, stuff in your pockets...supply lines are getting longer and harder to maintain.
It's not about the stuff. The issue is how we use that stuff and how do we train people to use that stuff. Do we use that stuff to confront people who are protesting in a community? Do we use a sniper rifle to see closer in a crowd? That's where it breaks down.
All the work I do is personal, so the good stuff and the bad stuff that you see in there is all good stuff and bad stuff that I have, and part of the journey, for me, has been to embrace these things that I find embarrassing about myself: my stubbornness, my ego, my maudlin-ness - these things that I see myself do, and I go, 'Oh, David, stop that!'
Most of the poems I write go through forty versions and then stay in a file on my computer. I'm not very good at sending stuff out or feeling that something is ready to send out and I never have been. Part of the problem is that as soon as a poem is finished, it stops being all that interesting to me.
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