A Quote by Jameela Jamil
When I was a model at 15, I was eating one red pepper a day, and if I had a big day of castings, I would survive off a bag of Haribo, which gave me the 500 calories a day that would keep me alive. I was congratulated daily on my appearance - the more vertebrae upon my back you could count, the better my auditions went.
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At one point I had to shove as much food in my body as possible to pack on calories. My trainer wanted me to do six meals a day and not go two hours without eating. If I would cheat on eating one day, I could tell - I'd drop a few pounds.
Now on the first day of Christmas, my homeboy gave to me
A sack of the krazy glue and told me to smoke it up slowly.
Now on the second day of Christmas, my homeboy gave to me
A fifth of Hendog and told me to take my mind off that weed.
Now by the third day of Christmas, my big homeboy gave to me
A whole lot of everything, and it wasn't nuthin' but game to me.
I am eating around 10,000 calories a day, which is a lot. I'm obviously a professional and I am the World's Strongest Man. This is something that a normal human being would never do. You would never eat that amount of food, because you would get tired, it's too many calories for you to intake.
When my mother would make me sandwiches for school - zucchini and eggs, pepper and eggs, everything was with eggs - the oil would drip out of the bag. She didn't care if I lost the sandwich - she wanted that brown bag back. She used to give me artichoke sandwiches. You have no idea how embarrassing it is to sit in the schoolyard eating an artichoke with a piece of bread. A lot of kids didn't know what it was, they'd say, Look at that guy eating flowers!
I think back to the day I drove Michelle and a newborn Malia home from the hospital nearly 11 years ago - crawling along, miles under the speed limit, feeling the weight of my daughter's future resting in my hands. I think about the pledge I made to her that day: that I would give her what I never had - that if I could be anything in life, I would be a good father. I knew that day that my own life wouldn't count for much unless she had every opportunity in hers.
Walking my dogs twice a day provides me with an opening and closing of my day, and I've learned to use those walks for a walking meditation, which had never occurred to me until a friend gave me Wherever You Go, There You Are by Jon Kabat-Zinn years ago. It helped me take advantage of moments that already existed in my day and turn them into something more expansive.
'The Daily Show' was like my family. We had dogs in the office every day, all day. It was just such a warm, beautiful, sweet experience for me. Choosing to leave the show was so hard because I really, really loved everybody there, and I loved what it gave me and the platform it gave me.
Choosing happiness is a scary thing. Choosing love is a scary thing. When I was in the war, not only did I not have a voice, but I had to make myself not be heard, not be seen, become dumb, mute, blind, invisible, just so I could survive. When you fall in love, you become alive, all of a sudden you are singing. For me, there was a fear that the person I love would one day leave me, whether by their own choice or that they would die. How was I going to survive that? Choosing love and happiness is to know life goes on. I had to believe that.
Tennis was always there for me, which was lucky. I would go play baseball, basketball, football, hang with my brother, do whatever, and at the end of the day I'd come back and say, 'Hey, Mom, would you hit 15 minutes worth of balls with me?'
In 1994, nobody could have predicted 'Shawshank' would one day be an iconic movie - and believe me, that would never have happened if Danny Glover had been Red instead of Morgan Freeman.
I find it almost comforting to count calories, because it makes me conscious of what I'm eating. But on Super Bowl Sunday, I thought, 'Surrender to it. It's nacho time.' Then I ate nothing but Doritos all day.
I grew up having the library as the best place ever. I spent a lot of weekends there as a kid - my parents would drop me off and leave me there all day. I would just sit in the back and read whatever I could find.
Writing is not a searching about in the daily experience for apt similes and pretty thoughts and images… It is not a conscious recording of the day’s experiences ‘freshly and with the appearance of reality’… The writer of imagination would find himself released from observing things for the purpose of writing them down later. He would be there to enjoy, to taste, to engage the free world, not a world which he carries like a bag of food, always fearful lest he drop something or someone get more than he.
It's never me saying, 'When is my day over?' It's more, 'When do they legally have to get me off of the lot, based on when I have to be back the next day?' The first call is a big thing in the acting world and in the union world. There needs to be a 12 hour period, and I need it.
all through my childhood, my father kept from me the knowledge that the daily papers printed daily box scores, allowing me to believe that without my personal renderings of all those games he missed while he was at work, he would be unable to follow our team in the only proper way a team should be followed, day by day, inning by inning. In other words, without me, his love for baseball would be forever incomplete.
When I started playing professionally, it made me realize that I had a voice in the league, one that gave me the chance to share a different side of our day-to-day life and the things that were happening on and off the court.
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