A Quote by Jamel Shabazz
I'm shooting a gangbanger, but as a dignified man. That's pretty much what war photography did: seeing images of soldiers in a dignified way. They might have been killers in Vietnam, but I'm seeing another side of them, and looking at images of the the American soldiers, also the North Vietnamese and the Viet Cong - I never saw an enemy.
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We had much more imagery from Vietnam war. The media was not controlled. The storyline, the master narrative was not controlled. I thin it was some those images really radicalized people and shifted things to some extent. And the Viet Cong also, their tenacity.
Most bayonets throughout history have probably not been used because soldiers just can't do it, something holds them back... the same goes for shooting the enemy. We've got this fascinating evidence from the Second World War, and also from other wars, that most soldiers couldn't do it.
To suffer is one thing; another thing is living with the photographed images of suffering, which does not necessarily strengthen conscience and the ability to be compassionate. It can also corrupt them. Once one has seen such images, one has started down the road of seeing more - and more. Images transfix. Images anesthetize.
In college, I actually did some work on a documentary project talking to Vietnam vets about the images of war and how it changed. When they grew up, it was like 'Sands of Iwo Jima' and there was this, you know - after Vietnam, there was a whole different way of looking at war.
I've never been embedded with American soldiers or British soldiers or Iraqi soldiers or any other.
I took every chance I could to meet with U.S. soldiers. I talked with them and read the books they gave me about the war. I decided I needed to return to my country and join with them - active duty soldiers and Vietnam Veterans in particular - to try and end the war.
In Vietnam, our soldiers came back and they were reviled as baby killers, in shame and humiliation. It isn't happening now, but I will tell you, there has never been an American army as violent and murderous as our army has been in Iraq.
Every book that comes out, every article that comes out, talks about how - while it may have been a "mistake" or an "unwise effort" - the United States was defending South Vietnam from North Vietnamese aggression. And they portray those who opposed the war as apologists for North Vietnam. That's standard to say. The purpose is obvious: to obscure the fact that the United States did attack South Vietnam and the major war was fought against South Vietnam.
Well, let's take what people think is a dignified death. Christ - was that a dignified death? Do you think it's dignified to hang from wood with nails through your hands and feet bleeding, hang for three or four days slowly dying, with people jabbing spears into your side, and people jeering you? Do you think that's dignified? Not by a long shot. Had Christ died in my van with people around Him who loved Him, the way it was, it would be far more dignified. In my rusty van.
It slaps your dignity just right. I loved the idea of these proud, dignified black men, and I saw the older ones wounded, and it wounded me ten times as much because I couldn't stand seeing them hurt like this.
We moved in to help the Vietnamese defend their country and confront the Viet Cong.
We’re face to face with images all the time in a way that we never have been before... Young people need to understand that not all images are there to be consumed like fast food and then forgotten – we need to educate them to understand the difference between moving images that engage their humanity and their intelligence, and moving images that are just selling them something.
I got nothing against no Viet Cong. No Vietnamese ever called me a >.
Many battles have been fought and won by soldiers nourished on beer, and the King does not believe that coffee-drinking soldiers can be relied upon to endure hardships in case of another war.
Images anesthetize. An event known through photographs certainly becomes more real than it would have been if one had never seen the photographs ... But after repeated exposure to images it also becomes less real. ... 'concerned' photography has done at least as much to deaden conscience as to arouse it.
I've always been fond of the idea expressed in Buddhist art, that there are certain objects that, just by seeing them, can plant a seed for liberation in the individual. That class of objects is called "liberation through seeing." Certain Buddha images are like that, but if it were possible, I would like to find contemporary non-traditional sacred images. Maybe it sounds pretentious, but most spiritual paths point to the possibility that we all can access the deep, absolute dimensions of reality.
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