A Quote by James A. Garfield
Ideas control the world.
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Traditionally, we think that people with ideas are innovators - that Silicon Valley is the world of ideas. But within the hedge-fund world, they believe that they are men of ideas - that the trade is unto itself one of ideas.
If you control the food, you control a nation. If you control the energy, you control a region. If you control the money, you control the world.
The irony of the process of thought control: the more energy you put into trying to control your ideas and what you think about, the more your ideas end up controlling you.
What's fascinating to me is the way that multiple stories go into creating any world - a fictional world, but certainly the world that we live in as well. Of course, I cannot control that world. I can just control the fictional world.
The real truth that dare not speak itself, is that no one is in control, absolutely no one... Nobody is in control. This stuff is ruled by the equations of dynamics and chaos. Now, there may be entities seeking control - the World Bank, the Communist Party, the rich, the somebody-or-others - but to seek control is to take enormous aggravation upon yourself... It's like trying to control a dream.
It was from America that the plain ideas that men ought to mind their business, and that the nation is responsible to Heaven for the acts of the State, - ideas long locked in the breast of solitary thinkers, and hidden among Latin folios, - burst forth like a conqueror upon the world they were destined to transform, under the title of the Rights of Man... and the principle gained ground, that a nation can never abandon its fate to an authority it cannot control.
My vision of a better world would be one under the control of a strong United Nations, one that truly has the support of all countries in the world. Only an effective world government could provide sufficient law and have the power to control the unboundaried destructive forces of pollution and war. I will continue to be a leader in the World Federalist Association.
There are more ideas on earth than intellectuals imagine. And these ideas are more active, stronger, more resistant, more passionate than "politicians" think. We have to be there at the birth of ideas, the bursting outward of their force: not in books expressing them, but in events manifesting this force, in struggles carried on around ideas, for or against them. Ideas do not rule the world. But it is because the world has ideas (and because it constantly produces them) that it is not passively ruled by those who are its leaders or those who would like to teach it, once and for all, what it must think.
The ideas of control and improvements are often confused with one another. This is because quality control and quality improvement are inseparable.
There's something so glorious in giving control to the world. I think that's what I'm trying to do in my films-control the world but also let it be chaotic, let there be life.
There's something so glorious in giving control to the world. I think that's what I'm trying to do in my films - control the world but also let it be chaotic, let there be life.
You can have fantasies about having control over the world, but I know I can barely control my kitchen sink. That is the grace I'm given. Because when one can control things, one is limited to one's own vision.
First you look for discipline and control. You want to exercise your will, bend the language your way, bend the world your way. You want to control the flow of impulses, images, words, faces, ideas. But there's a higher place, a secret aspiration. You want to let go. You want to lose yourself in language, become a carrier or messenger.
I love people who try to keep the world in control - because the world is inherently not in control.
I can't control what's fair and unfair. I can't control the nature of the business or the nature of society or the nature of the world, but what I can control is how I choose to see the world and what I choose to put back into it.
The words represent ideas first of all. That is something you have to understand. I mean, it is not just an object, but it is an object with a history and it is loaded with all kinds of implications and ideas. They exist in the world in a very special way. So they kind of represent some aspect of the world that we perceive, as do photographs, as do drawings of trees or whatever. And they are not a one to one. They are not the world, but they kind of refer to the world and they also exist in the world.
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