A Quote by James A. Michener
I know the world of opera so intimately: historical sweep, sharply defined characters, not too rational an explanation of what's going on. It's a feast.
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I live intimately with my characters before starting a book. I cut out pictures of them for my wall. I do time lines for each major character and a time line for the entire novel: What is going on in the world as my characters struggle with their problems?
Theresa strode over to us in a swish of cloth. "Enough of this, animator. He can't do it, so he pays the price. Either leave now, or join us at our...feast." Are you having rare Who-roast-beast?" I asked. What are you talking about?" It's from Dr. Seuss, How the Grinch Stole Christmas. You know the part, 'And they'd Feast! Feast! Feast! Feast! Feast! They would feast on Who-pudding and rare Who-roast-beast.'" You are crazy." So I've been told.
I like going back in time and writing historical fantasy. I use some real historical characters as a background to give depth to the fantasy. And I throw my fictional characters into the midst of this, and, so far, it has turned out interesting.
I know what I saw. And the rational explanation is... it was a UFO. There's UFOs over New York, as the song goes. And I saw another one in the early '80s, and I know other did people did too.
My work is to know the characters intimately and to tell their story.
It's funny what [producer Richard Zanuck said about even though you can't quite place when the book or the story came into your life, and I do vaguely remember roughly five years old reading versions of Alice in Wonderland, but the thing is the characters. You always know the characters. Everyone knows the characters and they're very well-defined characters, which I always thought was fascinating. Most people who haven't read the book definitely know the characters and reference them.
Many novelists take well-defined, precise characters, whose stories are sometimes of mediocre interest, and place them in an important historical context, which remains secondary in spite of everything.
I was going to be a singer. If I hadn't been in my profession, I was going to be an Opera singer. That's from a young kid. I had all these records from all those famous Opera singers. I wanted to be an Opera singer - that was my whole thing and physical fitness got in the way, thank God.
As a writer, my main objective is to tell the story urgently - as if whispering it into one ear - and to know the characters intimately.
I wonder who it was defined man as a rational animal. It was the most premature definition ever given. Man is many things, but he is not rational.
A rational man acting in the real world may be defined as one who decides where he will strike a balance between what he desires and what can be done.
If You're going to sweep the floor, sweep it better than anybody in town. And if You're going to play the guitar, really, really, really get in it, and don't be jivin'.
We tend to forget that in those days before the Internet and HBO and Imax and 3-D cinema, opera was the thing. Opera and theatre. If you were a man of the world and you mingled among the happy few, you would be at the opera.
I don't think God is an explanation at all. It's simply redescribing the problem. We are trying to understand how we have got a complicated world, and we have an explanation in terms of a slightly simpler world, and we explain that in terms of a slightly simpler world and it all hangs together down to an ultimately simple world. Now, God is not an explanation of that kind. God himself cannot be simple if he has power to do all the things he is supposed to do.
For centuries, we in the West have thought of ourselves as rational animals whose mental capacities transcend our bodily nature. In this traditional view our minds are abstract, logical, unemotionally rational, consciously accessible, and, above all, able to directly fit and represent the world. Language has a special place in thie view of what a human is - it is a privileged, logical symbol system internal to our minds that transparently expresses abstract concepts that are defined in terms of the external world itself.
God does not have a fixed plan that he must carry out; on the contrary, he has many different ways of finding man and even of turning his wrong ways into right ways...The feast of Christ the King is therefore not a feast of those who are subjugated, but a feast of those who know that they are in the hands of the one who writes straight on crooked lines.
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