A Quote by James Acaster

I think I can draw both a mainstream audience and an alternative audience to my shows. I also have the ability to disappoint both. — © James Acaster
I think I can draw both a mainstream audience and an alternative audience to my shows. I also have the ability to disappoint both.
When I started off in journalism, you knew there was an audience out there and that you wanted people to read what you produced. But it also felt like you had a limited ability to shape the audience, or to acquire an audience, for what you were doing. So you didn't really think too much about that.
Radio helps DJs break into a whole different audience. Radio has so much power. And that's my mission: to not only break into the EDM audience, but to break also into the mainstream audience.
Radio helps you break into a whole different audience. Radio has so much power. And that's my mission: to not only break into the EDM audience, but to break also into the mainstream audience.
In Korea, when I started, there wasn't a trend where people chose to be both actors and singers. I was the first to do both. It was a great deal hard work, but I got a lot of support and love from my audience. And for me to receive the same treatment overseas, I felt that I was also very lucky.
The audience got jaded, they want a hit, they want a big success, and so you don't want to experiment because you say, well, I'll disappoint the audience, they may not like it, I better do something that I think is more commercial.
When I look out at the audience at some of our shows, I think we are reaching a younger audience... I see lots of people in their 30s and 40s, but I also see a lot of people in their young and middle teens, and thats definitely reassuring.
When I look out at the audience at some of our shows, I think we are reaching a younger audience... I see lots of people in their 30s and 40s, but I also see a lot of people in their young and middle teens, and that's definitely reassuring.
The makers love to show women being oppressed, and the audience also loves watching these stories. I'm sorry to say, but a large portion of the audience that watches these shows are women. They make women cry and abuse in the shows and women audiences are glued to such plots. I don't understand this syndrome.
I prefer it when I can intimidate the audience rather than the audience intimidate me. I've been lucky in my career to have both.
If the audience knows what's behind the door and the actor does not, that's comedy. If both the audience and the actor do not know, that's mystery!
A cult classic is one that has been fully embraced by an alternative audience, not the popular audience.
I believe that classical music comes through listening and practice, and it can be fun both for the singer or performer and the listener or audience, as long as the performer is taught to recognise the pulse of the audience.
It's interesting to have a conglomeration of people that covers the strata from A to Z... There's a certain element of the audience that's intellectually oriented, into the lyrics... then there's another element of the audience that's into a sex trip. I'm into both of them.
There are some actors who come alive in front of a crowd, and if you've cast it right, there's an energy between cast and audience that can be exhilarating for both parties, then enjoyed by the audience at home.
You should always think about the mainstream audience first and foremost, because frankly they are the people who are going to get the show recommissioned. There are not enough genre fans to support shows.
A good stand-up, you lead the audience. You don't kowtow to the audience. Sometimes the audience is wrong. I always think the audience is wrong.
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