A Quote by James Adomian

Eventually, all of our impressions will be dead. That's one of my favorite things about Paul F. Tompkins' 'Dead Authors' podcast is to be able to do impressions of people you've never otherwise think to do or get to do. I did Walt Whitman on there, and that was really fun.
Walt Whitman and Emerson are the poets who have given the world more than anyone else. Perhaps Whitman is not so widely read in England, but England never appreciates a poet until he is dead.
Dead people never seem to address the obvious - the things you'd think they'd be bursting to talk about, and the things all of us not-yet-dead are madly curious about. Such as: 'Hey, where are you now? What do you do all day? What's it feel like being dead? Can you see me? Even when I'm on the toilet? Would you cut that out?'
Our first impressions are generated by our experiences and our environment, which means that we can change our first impressions... by changing the experiences that comprise those impressions.
It is odd to think that there is a word for something which, strictly speaking, does not exist, namely, "rest." We distinguish between living and dead matter; between moving bodies and bodies at rest. This is a primitive point of view. What seems dead, a stone or the proverbial "door-nail," say, is actually forever in motion. We have merely become accustomed to judge by outward appearances; by the deceptive impressions we get through our senses.
I'm not really allowed to talk about the Dead though. I think when we are at our best, we definitely do things that the Dead or no other band could do. We explore things and take things to the extreme.
We are all the subjects of impressions, and some of use seek to convey the impressions to others. In the art of communicating impressions lies the power of generalizing without losing that logical connection of parts to the whole which satisfies the mind.
We have to realize that when we talk in front of other people about things only we can understand, those people will not be able to avoid getting wrong impressions.
I've never been able to tell jokes. In the beginning of my career I did impressions and jokes like any other comedian, but I was never very successful because I did it poorly. So I started to talk to the audience and started talking about the atmosphere around me and started to become angry, not in a mean-spirited way, but in a fun way - and my attitude developed from there.
I think the problem I have is that first impressions are the ones that stick with people. And people's first impressions of me are obviously from the film, from 'Gregory's Girl.'
I think we never become really and genuinely our entire and honest selves until we are dead--and not then until we have been dead years and years. People ought to start dead, and they would be honest so much earlier.
Even in this case, whatever it is, it's about [Barack] Obama. "How did Obama do at the memorial? Did Obama come off well? Will Obama's poll numbers go up? Did he really reach people?" The hell that there are 53 people dead. Nobody cares about them, like nobody cared about the four dead in Benghazi. All the media cared about, how did Obama do?
The living always get over the dead. That’s what the dead never realize. If ever the dead did come back, they’d only have been sore that somehow you managed to get over their dying at all.
I don't really think about things too much, but people are going to form impressions about you if you play football, aren't they? And if they think you're the funny guy or the boy that likes a laugh, well that ain't so bad.
Stand-up is still my favorite, but the podcast is a close second. It's so fun, and it's given me the opportunity to have three-hour conversations with people I wouldn't have otherwise been able to talk to. When I talked to Maynard Keenan from Tool, I almost couldn't believe it was happening.
Stand-up is still my favorite, but the podcast is a close second. It's so fun, and it's given me the oppor-tunity to have three-hour conversations with people I wouldn't have otherwise been able to talk to. When I talked to Maynard Keenan from Tool, I almost couldn't believe it was happening.
Make sure you're doing impressions of people that are still relevant, and that everyone knows. Red Skelton impressions are a little outdated.
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