A Quote by James Agee

And somewhat as in blind night, on a mild sea, a sailor may be made aware of an iceberg, fanged and mortal, bearing invisibly near, by the unwarned charm of its breath, nothingness now revealed itself: that permanent night upon which the stars in their expiring generations are less than the glinting of gnats, and nebulae, more trivial than winter breath; that darkness in which eternity lies bent and pale, a dead snake in a jar, and infinity is the sparkling of a wren blown out to sea; that inconceivable chasm of invulnerable silence in which cataclysms of galaxies rave mute as amber.
Now the night's breath responds to the sea, which I can scarcely hear from here, as it reminisces about its shipwrecks.
love is thicker than forget more thinner than recall more seldom than a wave is wet more frequent than to fail it is most mad and moonly and less it shall unbe than all the sea which only is deeper than the sea love is less always than to win less never than alive less bigger than the least begin less littler than forgive it is most sane and sunly and more it cannot die than all the sky which only is higher than the sky
a connotation of infinity sharpens the temporal splendor of this night when souls which have forgot frivolity in lowliness,noting the fatal flight of worlds whereto this earth’s a hurled dream down eager avenues of lifelessness consider for how much themselves shall gleam, in the poised radiance of perpetualness. When what’s in velvet beyond doomed thought is like a woman amorous to be known; and man,whose here is alway worse than naught, feels the tremendous yonder for his own— on such a night the sea through her blind miles of crumbling silence seriously smiles
Night comes, world-jewelled, . . . The stars rush forth in myriads as to wage War with the lines of Darkness; and the moon, Pale ghost of Night, comes haunting the cold earth After the sun's red sea-death--quietless.
What is life? It is the flash of a firefly in the night. It is the breath of a buffalo in the winter time. It is the little shadow which runs across the grass and loses itself in the Sunset.
I believe there are two sides to the phenomenon known as death, this side where we live, and the other side where we shall continue to live. Eternity does not start with death. We are in eternity now. Norman Vincent Peale It is the flash of a firefly in the night. It is the breath of a buffalo in the wintertime. It is the little shadow which runs across the grass and loses itself in the sunset.
What Lily craved was the darkness made by enfolding arms, the silence which is not solitude, but compassion holding its breath.
The car shot forward straight into the circle of light, and suddenly Arthur had a fairly clear idea of what infinity looked like. It wasn’t infinity in fact. Infinity itself looks flat and uninteresting. Looking up into the night sky is looking into infinity—distance is incomprehensible and therefore meaningless. The chamber into which the aircar emerged was anything but infinite, it was just very very very big, so big that it gave the impression of infinity far better than infinity itself.
The Sea of Galilee and the Dead Sea are made of the same water. It flows down, clean and cool, from the heights of Herman and the roots of the cedars of Lebanon. the Sea of Galilee makes beauty of it, the Sea of Galilee has an outlet. It gets to give. It gathers in its riches that it may pour them out again to fertilize the Jordan plain. But the Dead Sea with the same water makes horror. For the Dead Sea has no outlet. It gets to keep.
I have known the silence of the stars and of the sea. And the silence of the city when it pauses, And the silence of a man and a maid, And the silence for which music alone finds the word.
Frank Moore Cross is also a leading Dead Sea Scrolls scholar, which he's been since they were discovered more than 50 years ago. He's just completing an edition of one of the most significant scrolls for Biblical studies, the Book of Samuel from the Dead Sea Scrolls.
I’ll tell you now. That silence almost beat me. It’s the silence that scares me. It’s the blank page on which I can write my own fears. The spirits of the dead have nothing on it. The dead one tried to show me hell, but it was a pale imitation of the horror I can paint on the darkness in a quiet moment.
We come from an inconceivable nothingness. We stay a while in something which seems equally inconceivable, only to vanish again into the inconceivable nothingness.
But the fact is that when wine is taken in moderation, it gives rise to a large amount of breath, whose character is balanced, and whose luminosity is strong and brilliant. Hence wine disposes greatly to gladness, and the person is subject to quite trivial exciting agents. The breath now takes up the impression of agents belonging to the present time more easily than it does those which relate to the future; it responds to agents conducive to delight rather than those conducive to a sense of beauty.
I'm telling you, man, after I did 'Land of the Dead,' which Mark Canton produced, Universal picked it up, and I had to use stars. I didn't think I needed stars - Dennis Hopper was in it. I loved him. We hung out. I loved him, but his cigar budget was more than we paid for the entire budget of 'Night of the Living Dead.'
The solitude lends much appeal, because a sea without a harbour surrounds it. Even a modest boat can find few anchorage, and nobody can go ashore unnoticed by the guards. Its winter is mild because it is enclosed by a range of mountains which keeps out the fierce temperature; its summer is unequal. The open sea is very pleasant and it has a view of a beautiful bay.
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