A Quote by James Agee
I know I am making the choice most dangerous to an artist in valuing life above art.
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I have always been a martial artist by choice, an actor by profession, but above all, am actualising myself to be an artist of life.
I am a serious artist in my own right, in the sense that I've spent my entire life being an artist and trying to be an artist and making work.
Every time you're making a choice, one choice is the safe/comfortable choice - and one choice is the risky/uncomfortable choice. the risky/uncomfortable choice is the one that will teach you the most and make you grow the most, so that's the one you should choose.
The first choice an artist makes is precisely to be an artist, and if he chooses to be an artist it is in consideration of what he is himself and because of a certain idea he has of art
What still concerns me the most is: am I on the right track, am I making progress, am I making mistakes in art?
They say that art should stand the test of time. Life lasts a limited amount of time. Mountains and trees and earth will outlive human beings, but we don't know if they will be here always. Art does outlast the life span of its maker. Art should communicate to an increasing circle of strangers-people who do not know the artist, but come to know the work, and through the work, come to know something about the humanity of the artist that rings with their own humanity.
You know, you become an artist, you become an observer, of life, and you digest life by making art about it.
The only duty an artist has is in the quality of the art. There is no moral obligation to denounce. An artist confronted with a tremendous injustice sometimes feels inclined to say something. Denouncing the situation is the artist's choice.
Contemporary art is based on that an artist is supposed to go into art history in the same way as an art historian. When the artist produces something he or she relates to it with the eye of an art historian/critic. I have the feeling that when I am working it is more like working with soap opera or glamour. It is emotional and not art criticism or history of art.
God says "This is what I would love you to be, but I am not going to constrain you. I want it to be your choice." And it is a fantastic thing because even at the moment when I am making the choice to reject God, I would depend from moment to moment, you know that beautiful image of God creating by breathing God's breath into this lump of clay, making it a human being.
Well, I enjoy my life. You know, I think life is an art, and that one has to live it as an art. That's your choice.
I believe that the making of art is primarily for the benefit of the artist. If what the artist has created communicates messages and feelings to others, then it is because of the universality of the human experience that is speaking through the work of art.
If within the last century art conceived as an autonomous activity has come to be invested with an unprecedented stature - the nearest thing to a sacramental human activity acknowledged by secular society - it is because one of the tasks art has assumed is making forays into and taking up positions on the frontiers of consciousness (often very dangerous to the artist as a person) and reporting back what's there.
As an artist, you're very sensitive about your art. And you feel like, 'Am I doing the right thing? Am I making the right music?'
The public needs art, and it is the responsibility of a ’self-proclaimed artist’ to realize the public needs art, and not to make bourgeois art for the few and ignore the masses. … I am interested in making art to be experienced and explored by as many individuals as possible with as many different individual ideas about the given piece with no final meaning attached. The viewer creates the reality, the meaning, the conception of the piece. I am merely a middleman trying to bring ideas together.
You have no right to say that I am not sincere. I have found a happiness in art that real life has never given me. I am intensely in earnest about art. There is is a magic and mystery in art that you know nothing of.
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