A Quote by James Alison
I think I have quite traditional views on original sin, grace, and the real but difficult nature of we humans being able to learn something true about being human that we didn't know before. And yet the consequences of this traditional view are really quite radical.
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In our traditional culture, people have a very different view towards nature than in Western culture. We consider humans as part of nature. But in the West, they talk about protecting nature. That's a joke because nature doesn't care; it's humans who need to protect themselves.
I don't think of myself as being troubled as a human being, but I guess I'm quite extreme, quite big and quite loud, and maybe people pick up on that when they cast me. I'm certainly not the quiet reflective type.
All I'm doing is being authentic and real and singing about the emotions I go through as a human being. I don't think we should be nervous about expressing who we really are when it comes to being a believer but also when it comes to being someone who goes through real life. You have to experience real life before you can understand what it means to really worship.
I think the thought of a traditional family home is awesome. Traditional roles are becoming a thing of the past, but I think there is something really charming about them.
Traditional news feels quite sanitised, quite statisticky. We're bombarded with images, but often, you don't see the human stories, or if you do, it's only for 60 seconds, max.
Am I reserved? I think I agree with that. I don't think I'm particularly original. I am quite homey, though. But then I'm also quite transient. I quite like being nomadic.
My fascination is not for cinema; it's for human nature and human beings because I find it quite difficult being one at times.
I love this idea of being able to touch people with something quite familiar, something quite emotional, and at the same time, have the feeling that this is a new way of doing it, a fresh way of showing things. I like radical people. At the same time, I'm fascinated by popularity, people who were able to have huge success and also keep their consistency.
I dont think of myself as being troubled as a human being, but I guess Im quite extreme, quite big and quite loud, and maybe people pick up on that when they cast me. Im certainly not the quiet reflective type.
There is really quite an inherent danger in the traditional British view that the council of ministers and inter-governmentalism is your protection against the federalist superstate.
I think the idea of a traditional story being told using traditional animation is likely a thing of the past.
It's very easy for one talking about violence and hatred for the white man to appeal to [Negro from ghetto]. I have never thought of this, but I think this is quite true, that if, even if you talk to them about nonviolence from a tactical point of view, they can't quite see it because they don't even know they're outnumbered.
I believe really strongly in imitation, actually: I think it's the first place you need to go to if you're going to be able to understand how something works. True mimicry is actually quite difficult.
I obviously read and adore traditional fiction. I teach traditional fiction, I also teach all kind of not-so-traditional fiction. And since I'm such a plot buff, and I'm really such a narrative buff, I can't seem to relinquish my - not just reliance - but excitement about those traditional techniques.
Jekyll is quite me: young man; polite. But being able to play Hyde was quite fun, to create a character that's nothing like me. I quite enjoyed creating a new character like that: he had a different voice; physicality; mannerisms. Everything had to be thought about. It was a real challenge.
The real truth - like anything, you have an idea about something you might write and it changes. People reflect on it or you get other ideas and maybe your original idea is radically different than how it ends up being. It's not a theorem. You don't sit down and prove something. You start with an initial idea and it grows and grows. The math of the narrative changes. In some ways your original document and what the film ends up being are quite different.
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