A Quote by James Anderson
Milestones have never really meant a lot. They probably will mean more when I've finished playing and actually reflect on what I have achieved.
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Never listen to a phone call that isn't meant for you. Never read a letter that isn't meant for you. Never pay attention to a comment that isn't meant for you. Never violate people's privacy. You will save yourself a lot of anguish.
There have been times in my adolescence where I gave up. I was like, 'I'm just never going to be pretty. I'm never going to be like one of those people on the front of magazines.' It always seemed really strange to me that the projection of how people are in advertisements looked nothing like the people who were actually buying them. You know what I mean? I never understood that mismatch, and now I really start to see that the people you see in the media are a lot more like people actually are.
I am never excited to play through a song all the way, because it can reveal more flaws that mean more work. For some reason, I always have an irrational fear that the song will never be finished.
I really, really love to move. You know what I mean? I mean, it's not a workout, but I absolutely love to do it, and that's performing, which is very close to doing Zumba. When you're onstage and you're moving everything, every single part of your body, it's actually working and active to the tips of your fingers. You're burning a hell of a lot of calories. And I think that's what people always look forward to - they want to know how many calories they've burned, and it's really important to actually know that and know your nutrition even more.
I mean, I don't really take a lot of blows. Since I've been 20 years old in the NFL, that's never going to change in my playing style.
I believe I never finished playing Sherry Palmer, that's why when the thought they shot and killed me, Penny's butt kept breathing on the floor, because I believe that she never died. I just feel like that's a character that I would want to play to feel a completion, because I never really completed playing her.
I don't celebrate milestones and I don't do anniversary editions. It's not my style to reflect on accomplishments.
There are different milestones in my career. Playing a festival at 16 was a milestone and I was really happy when I played my first show.
I was listening to a lot of really early house music tracks. Like Chicago house and Detroit. And Marshall Jefferson has a track probably from 1980 - somewhere around there - that doesn't actually have any electronic instruments, no drum machines, nothing. Just a drummer and a piano player and they're playing this house music, but they're actually playing it. I really love that aesthetic and wanted to bring that into the album.
My playing music is strictly for fun. When I was in a band, I was really excited to talk about it since I had never really played music to that extent. It was never meant as something I would consider as anything more than having fun with my friends. But I think I would enjoy writing music for the movies that I'm working on.
Heather Badcock meant no harm. She never did mean harm, but there is no doubt that people like Heather Badcock (and like my old friend Alison Wilde), are capable of doing a lot of harm because they lack - not kindness, they have kindness - but any real consideration for the way their actions may affect other people. She though always of what an action meant to her, never sparing a thought to what it might mean to somebody else.
Playing those one-dimensional characters is actually really difficult because you're not dealing with somebody you would ever really know. I don't think anybody here could imagine actually knowing Cindy Campbell from 'Scary Movies.' So, in a way, your job is so much easier when you're playing a person that you really understand and that seems very relatable. I think I was coming to a place in my career where I was like, "I'd like to do something a little more rewarding."
And so I look back on not just the last ten years but everything that I've done as being sort of an ongoing growing continual film school. I mean I don't think I've got to a point where I've achieved anything that feels like, a particular milestone, but there's still a lot more to learn and hopefully a lot more films to make.
I had to introduce a lot of people into my writing environment which I thought at first I would find really difficult, but I actually found that I loved it. It meant that I was meeting different people; it meant that I was expressing myself in different ways.
I do not, as a rule, do encores. When I have finished playing, I have indeed finished playing. I have nothing left; there has been no reserve.
It was really amazing. I mean, he'd never mentioned that he played in the symphony, like serious violin playing, not fiddle playing. And he just blew us away.
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