A Quote by James Anderson

Maybe, early on, I had too many coaches, with three or four guys all giving different input. — © James Anderson
Maybe, early on, I had too many coaches, with three or four guys all giving different input.
I was at Marseille and had four coaches in four seasons. Changing coaches is nothing new.
To come in and win three races already this year and maybe set a record by winning four is pretty unique. But guys like Mark Martin, Rusty Wallace and these guys are not wanting that to happen.
There are not too many coaches who trust in young guys.
Gansey could’ve had any and all of the friends that he wanted. Instead he had chosen the three of them, three guys who should’ve, for three different reasons, been friendless.
The man who has learned that three plus one are four doesn't have to go through a proof of that assertion with coins, or dice, or chess pieces, or pencils. He knows it, and that's that. He cannot conceive a different sum. There are mathematicians who say that three plus one is a tautology for four, a different way of saying "four" ... If three plus one can be two, or fourteen, then reason is madness.
I've always got maybe around four different titles in mind, maybe about four different ideas that I'd love to make.
By the time I was 19 years old, I had lived in five different cities in four different countries and three different continents.
I had four fantastic years with Jurgen. We won a lot of things together, we lived through many different experiences together, we had our lows, too.
I've been an art collector since the Sixties, and I kept it very separate from my showbusiness career. I've had art shows since the early Nineties, a museum show that travelled to four countries. I've had three or four art books; it's just another way I have to tell stories.
Now, everybody knows the basic erogenous zones. You got one, two, three, four, five, six, and seven. ... OK, now most guys will hit one, two, three and then go to seven and set up camp. ... You want to hit 'em all and you wanna mix 'em up. You gotta keep 'em on their toes. ... You could start out with a little one. A two. A one, two, three. A three. A five. A four. A three, two. Two. A two, four, six. Two, four, six. Four. Two. Two. Four, seven! Five, seven! Six, seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! [holds up seven fingers]
It's not like being a professional basketball player where you're in a big house. Maybe three, four or five guys make a couple million bucks a year, but that's it. The rest of them have second jobs.
And it was just the three of us - three bodies and two people - the three who knew what had happened and too many layers between all of us too much keeping us from one another.
What helped me get the part was that I turned it down. When I read the script, Venus was just a black guy who came in wearing a big coat and a hat and making jive talk. I'd been up for so many of those! I'd had enough of caricatures, what white writers conceive blacks to be. I told the producer I wasn't interested in doing anything like that for three or four years. He said that it was just a pilot, that Venus would be given a human dimension and would be quiet off-the-air. I wanted that input. I thought that side was as important as the comic side. For 'WKRP,' too much of either would be bad.
This is what happens: somebody—girl usually—got a free spirit, doesn't get on too good with her parents. These kids, they're like tied-down helium balloons. They strain against the string and strain against it, and then something happens, and that string gets cut, and they just float away. And maybe you never see the balloon again . . . Or maybe three or four years from now, or three or four days from now, the prevailing winds take the balloon back home . . . But listen, kid, that string gets cut all the time.
Hire extremely independent, intelligent, and passionate people, not necessarily "experts." Maybe three or four of my employees have MBAs, and those guys aren't necessarily at the top of the food chain.
There aren't many woman coaches in general, and I actually think it's good to have a male coach. Guys and girls have different mentalities. Girls are so stressed about everything. Guys take everything much more lightly. That's great, and it's something we have to learn from. I think one woman on a team is enough!
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