A Quote by James Arthur
I like poems that affect me emotionally and also provoke me to further, deeper thought. I enjoy challenge, but not, I think, for its own sake.
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Each of the films, whether it’s Magic Mike or Dallas Buyers Club, was a challenge for me. I had to dig deeper. Also, my decision to shake things up came after my first child was born. I had taken nearly two years off and I thought that I would enjoy my time as a dad and wait until something interesting came along.
At a certain point, I got used to writing on demand. I developed a habit of writing like I hired myself! I also like to write about things that affect me emotionally.
Pardon me, not to sound elitist, but I wanted to put something together that I would enjoy. I thought at that time, what satiated me, what interested me, what intrigued me, I thought other people would like also. And you blend that with some forward thinking of predicting the UFC and MMA were going to be ultimately as big as it became.
It's bad enough for me to make choices that hurt my own relationship with God. How much more serious is it to be the cause of someone else deciding to sin? Not only must I choose the pathway of holiness for God's sake and for my own sake; I must also do it for the sake of others.
I like poems that are daggers that sing. I like poems that for all the power of the sentiments expressed, and all the power to upset and offend, are so well made that they’re achieved things. However much they upset you, they also affect you.
I think performing has been the weirdest realization, because for the longest time I thought that no one was listening to my music. Now seeing people let it affect them emotionally and put it into their own lives is the coolest feeling.
I know what it takes to be a coach. I've gone through that. I think I came up short my last season. Lots of things were happening physically to me, and emotionally, perhaps mentally, too. I thought it was time to tend to more important things, like health and like family. I still enjoy that, and I don't think I have any need to go back to coach.
For me, there's always an early-'70s sense. There's always a sprinkle of it - if I do it exactly like that, sometimes it becomes too costume-y or too thought out. But the influences are there, without a doubt, always, because to me, that was the part that I also felt was the most defining of my own personality and my own style, and I also think that it's timeless. You never look wrong.
Like comedy, horror has an ability to provoke thought and further the conversation on real social issues in a very powerful way.
Art does not exist only to entertain, but also to challenge one to think, to provoke, even to disturb, in a constant search for truth.
Sometimes I walk into a situation and I know somebody is going to provoke me - not maybe, I know he will provoke me - I know he will provoke me! And there are times when I simply refuse to be provoked. And the other times you have to use that superior knowledge to carry on at work without distraction, and don't allow yourself to be distracted.
I prefer poems that occupy an imaginative sphere. When I lived in Cincinnati, I was occasionally referred to as an "Ohio Poet;" this made me uneasy, not only because I think of myself as a generally American poet but also because I like to think I write out of the country of my own mind.
How is it that the poets have said so many fine things about our first love, so few about our later love? Are their first poems their best? or are not those the best which come from their fuller thought, their larger experience, their deeper-rooted affections? The boy's flute-like voice has its own spring charm; but the man should yield a richer, deeper music.
It's true, there aren't many explicit references to Canada in my book. And not many explicit references to the U.S., either. I try to fill my poems with enough real, observed detail that the poems create a believable world - but I don't write poems for the sake of telling my own story. My life is not important or interesting enough to warrant that kind of documentary. Instead I try to use my experience as a way of understanding situations that are common to many people. I want readers to project their own lives onto my poems.
I like people that challenge their art, not only in the purist way, but also in terms of how they could provoke and make something different.
In the old days they, the promoters, wanted more and more from me. They wanted me to jump or spill my blood and break my bones. Every time they wanted me to jump further, and further, and further. Hell, they thought my bike had wings.
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