A Quote by James Arthur

Being in bands and plugging away with not many opportunities and no money for many years really shaped me and taught me about work ethic. — © James Arthur
Being in bands and plugging away with not many opportunities and no money for many years really shaped me and taught me about work ethic.
I think that if we really want to break it down, that non-black filmmakers have had many, many years and many, many opportunities to tell many, many stories about themselves, and black filmmakers have not had as many years, as many opportunities, as many films to explore the nuances of our reality.
Both parents were hard-working and made me work for my pocket money by doing household chores. That taught me the value of money and gave me a strong work ethic.
I have trained on and off with Floyd and his father for many years now and I've learned a lot. His work ethic is second to none and it's great being around him and the 'Money Team.'
For many many years, I've taught, not only leadership, but I've taught people that they need a personal growth plan. Growth is not an automatic process for you or me or anybody.
In the 80s there weren't so many bands around and nowadays there are a lot more bands around. I think sometimes there are too many bands. But there are a lot of interesting young bands around. They are not really playing the classic metal stuff, that's up to the old bands.
Too many bands practice in their garage, play a couple of shows locally, and expect opportunities to appear from the sky. Bands have to push, work, grind, and struggle to make it happen on their own.
My parents both worked - my mom was an accountant, and my dad is a builder - and that taught me about having a really strong work ethic, and I respected them a lot for that.
Dance has always been the center of who I am. It has given me the inspiration to help other people find a hobby, passion, and activity that fulfills them. It also taught me some of the many skills I need as an entrepreneur: a hard work ethic that takes practice to master and the confidence to persevere through any challenges.
Despite how difficult and hopeless it was at times, my experiences have shaped me for the better in many ways. It ultimately taught me empathy and invaluable lessons only learned through adversity.
We've got enough issues in this country without worrying about some of the things we're worrying about. It's unbelievable to me. And as long as I'm alive, I know what football gave me. It taught me my work ethic. It gave me a sense of discipline.
I have a really, really strong work ethic and I learned that from my dad because my dad was a workaholic but he always had even more time for us. As hard as he would work, he always made the time. So it's just about balancing family, I think, and work - and giving everything 100%. And that's what he taught me.
I definitely make an effort to work on different styles of music: not working on too many post-rock bands, or too many heavy bands, or too many folk bands, or just whatever. I have no desire to be known as somebody that just works on a single style of music and would rather avoid it, actually.
My brother Larry. He taught me how hard work and dedication to the game was the only way to make it. He's taken care of all my business activities for me and my family for many years, and I thank him for that.
Having little money to spend was a valuable learning experience. My schooling also shaped my work ethic because while other children were listening to the Goons, I was studying, which enabled me to go to Cambridge University.
I have seen so many bands and musicians fade away, especially the ones in my early days that treated me and my bands with contempt for no other reason than that they were headlining the show, not all though, with great exceptions such as Slade and Vinegar Joe.
The only thing I say I consciously do is I definitely make an effort to work on different styles of music: not working on too many post-rock bands, or too many heavy bands, or too many folk bands, or just whatever. I have no desire to be known as somebody that just works on a single style of music and would rather avoid it, actually.
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