A Quote by James Arthur
I always made my songs very conversational, and if anyone ever has a conversation with me, they know I'm a very open guy, very open and honest.
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We are neck and neck but there will be a very - it will be a very tough campaign in the last ten days. We must be very open and sincere with the Greek people. They should know what they could really expect. I think all of these old political logic is dead. We have to be honest, open and determined to get the Greeks out of this crisis.
I've always been very open and very honest with my fans. I want them to know that I'm genuine, and I am who I am, and I'm not faking it for the camera.
Cover versions, that's my forte, that's all I ever used to do. When you play your own songs, it's quite scary, 'cause I'm quite honest and open, they can be very revealing. But covers, I don't have to think about, just get me up there!
I'm very determined, honest, open and definitely very energetic. I expect a lot as a boss and I'm very demanding, but I ask that of myself too.
I've always been a singer-songwriter - it started off with me and the guitar, just writing songs, they were very simple. When I got in the studio it took me probably three years to get where I am now - being open to experimenting with new songs, being comfortable with where the songs were headed. I'm happy with where they are because they feel very genuine and authentically who I am.
That's very hard because there's three of them that mean a LOT to me equally. 'Lissie's Heart Murmur' was one of the first songs that we ever wrote - it was one of the first songs, at the very very very beginning of our band and I've always wanted to see and hear that song recorded and turned into something and it finally was and is!
It takes a minute for me to let my guard down, but once I do and I get to know someone, I'm very open, very trusting. Some might say too trusting, because considering the amount of money that can be made from selling gossip, I could be very easily taken advantage of.
I always thought my big brother was the coolest. We were very close when I was young, and we still are in many ways! He was a very open-minded, urban guy with an outdoorsy edge. He is mostly responsible for exposing me to art and culture.
I hope that people can relate to my music, it's very relatable, it's very fun, it's very honest. It's very, very, honest. I know that my fans will probably learn a lot about me by listening to my music, if they really listen to the lyrics. I'm sure they'll learn about a new side to me, it's all very honest, I don't put on any... there's no fake-ness to it, it's very real and I hope my fans can relate to it and that it's enjoyable for all ages.
I feel like I walk a very fine line between wanting someone to be open and vulnerable and honest with me and the listeners, but not wanting anyone to ever feel like I'm exploiting them.
Bedales was perfect for my sister and me. Very open. Very few rules. No uniforms. Co-educational. And very little of 'You have to do this like this.' You very much controlled your education.
I love people who are very honest and very open and don't pretend to be anything they're not.
Yeah, all drama teachers are very effusive, very demonstrative, very emotionally open, very big, and gesticulate a lot, and are very physical.
The most vulnerable people have tough exteriors because they are very scared inside, and it's very hard for people like that - people like me - to open up. But playing it safe means you stop being open to learning. I always try to find the challenges.
Moonlight is very honest and very special to me. I feel like this is the most personal music I've made, by far. I'm very proud of it and I'm very excited. It's scary...it's vulnerable and kind of terrifying.
I think for the open-minded, I'm a lot like Luciano Pavarotti... But I don't know the technique. I'm learning. I think Pavarotti was a citizen of the world. He was very eclectic. He sang with Sting and with a lot of other pop artists, and this open-mindedness, for me, is very important.
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