A Quote by James Badge Dale

As an audience member, I live vicariously through the characters I watch or read about. There's something very relatable about comic-book characters. They're never perfect. They're flawed people put in extraordinary circumstances.
The more shaded, flawed characters that are struggling, I think there's something very relatable about that.
Comic book characters are characters who wear costumes. They're not necessarily different than other characters. The trend I think that you're seeing are comic book movies, at least the ones that Marvel makes, don't have comic book stories. They have dramatic human stories.
I think it's more fun to grow to love characters who are flawed than it is to present perfect characters. Perfect characters aren't very funny. Certainly my friends are a strange, intense bunch of people, and people's families drive them crazy, but challenging relationships are always more rewarding.
I'm an actor, and I want to play flawed characters, and I'm a writer that wants to write flawed characters, trying to let something out and hoping people relate through that or have fun experiencing the story.
It's funny what [producer Richard Zanuck said about even though you can't quite place when the book or the story came into your life, and I do vaguely remember roughly five years old reading versions of Alice in Wonderland, but the thing is the characters. You always know the characters. Everyone knows the characters and they're very well-defined characters, which I always thought was fascinating. Most people who haven't read the book definitely know the characters and reference them.
What makes an audience watch something and care about the characters is the emotional life of the characters.
There's a remarkable amount of sexism on TV. When male characters are flawed, they're interesting, deep and complex. But when female characters are flawed, they're just a mess. It's good to put more flawed but interesting female characters out there because it promotes equality.
I try to write about real women, real people - in other words flawed characters. I find flawed characters much more interesting than perfect ones and enjoy the challenge of making readers root for them in spite of their unsympathetic path and destructive choices. Life is about the gray areas. Things are seldom black and white, even when we wish they were and think they should be, and I like exploring this nuanced terrain.
Playing big, heroic characters with heart is always a lot of fun. I enjoy making movies like that, and a lot of people love to live vicariously through those characters.
I love flawed characters, male or female, and I only want to talk about flawed characters, really, in what I do.
This medium that we're working in - film and television - for an audience, it's like you live through these characters because it's things you can't do in real life. Places you're not prepared to go in real life as a decent human being, anyway. Because if you're a conscientious person, so you live kind of vicariously through these people.
All my characters are quite relatable, as they are flawed, true, and honest. All of us are flawed; nobody is pure and pious.
You can live vicariously through the characters you play.
You live vicariously through your characters.
If I can get the audience to connect with the characters emotionally - and they love who they are, they love the larger-than-life situation that they're in, but most of all get the audience invested in the characters - then I always feel like I can sort of put them in the most outrageous circumstances, and the audience is okay to go with that.
I let characters be human and flawed and relatable.
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