A Quote by James Baldwin
What passes for identity in America is a series of myths about one's heroic ancestors.
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What passes for identity in America is a series of myths about one's heroic ancestors. It's astounding to me, for example, that so many people really seem to believe that the country was founded by a band of heroes who wanted to be free.
What passes for identity in America is a series of myths about one's heroic ancestors. It's astounding to me, for example, that so many people really appear to believe that the country was founded by a band of heroes who wanted to be free. That happens not to be true. What happened was that some people left Europe because they couldn't stay there any longer and had to go somewhere else to make it. That's all. They were hungry, they were poor, they were convicts. Those who were making it in England, for example, did not get on the Mayflower. That's how the country was settled.
Most of the ancestors that I can trace were born here in the United States of America. And then it goes back to slavery. And I'm sure my ancestors go all the way back to Africa, but I feel more of an affinity for America than I do for Africa. I'm a black man in America.
For kids in 2nd or 3rd grade, I would recommend the 'Dear America' series. Most of the stories in the 'Dear America' series, if they have black girls, are about them being enslaved, but they escape or do something really adventurous.
Greek myths are heroic, noble and tragic; but the American Dream is heroic, comical, and uplifting. Americans are a people in whom overweening ambition is rewarded, not punished. The Wright Brothers did not have their wings melt when they flew too high. Perhaps their wings were more soundly built than those of Icarus.
Myths and creeds are heroic struggles to comprehend the truth in the world.
I was confident about America and the idea that in America people can become American without masking their ethnic identity.
The higher Greek poetry did not make up fictitious plots; its business was to express the heroic saga, the myths.
I started a lecture series that was inspired by my reporting on race in America. The 'Black in America' series launched on CNN in 2007 as an opportunity to freshen the national conversation on race.
I think of evolution as a myth, like the Norse myths, the Greek myths - anybody's myths. But it was created for a rational age.
People saw me as being heroic, but I was no more heroic than I was with other injuries I had, like the lacerated kidney I suffered during the 1990 World Series. It's just that people haven't known anyone with a lacerated kidney, but everyone can relate to someone with cancer.
What "Make America Great" means is it doesn't mean race, and it doesn't mean gender, and it doesn't mean sexual orientation, and it doesn't mean anything identity politics related that seems to appeal to the Democrat Party. It's about a culture. It's about an identity. It's about an idea - the American idea, the American ideal.
We still like to make up stories, just as our ancestors did, which use personification to explain the great forces of our existence. Such stories, which explain how the world began or where the sun goes when it sets, we call myths. Mythology is a natural product of the symbolizing mind; poets, when not making up myths of their own, are still commanding ancient ones.
Today I said to the calculus students, "I know, you're looking at this series and you don't see what I'm warning you about. You look and it and you think, 'I trust this series. I would take candy from this series. I would get in a car with this series.' But I'm going to warn you, this series is out to get you. Always remember: The harmonic series diverges. Never forget it."
Myths, as compared with folk tales, are usually in a special category of seriousness: they are believed to have "really happened,"or to have some exceptional significance in explaining certain features of life, such as ritual. Again, whereas folk tales simply interchange motifs and develop variants, myths show an odd tendency to stick together and build up bigger structures. We have creation myths, fall and flood myths, metamorphose and dying-god myths.
In South America, I heard the 8th Symphony of Beethoven. And the young conductor thought, Beethoven must be heroic. But this is piece which shouldn't be heroic. And this was such a misunderstanding, such a deep misunderstanding.
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