A Quote by James Baldwin
Societies never know it, but the war of an artist with his society is a lover's war, and he does, at his best, what lovers do, which is to reveal the beloved to himself and, with that revelation, to make freedom real.
Related Quotes
The curt truth is that, in a deep secret way, the state of being beloved is intolerable to many. The beloved fears and hates the lover, and with the best of reasons. For the lover is forever trying to strip bare his beloved. The lover craves any possible relation with the beloved, even if this experience can cause him only pain.
There comes a time in the seeker's life when he discovers that he is at once the lover and the beloved. The aspiring soul which he embodies is the lover in him. And the transcendental Self which he reveals from within is his Beloved.
If there were only some way of contriving that a state or an army should be made up of lovers and their beloved, they would be the very best governors of their own city, abstaining from all dishonour, and emulating one another in honour; and when fighting at each other's side, although a mere handful, they would overcome the world. For what lover would not choose rather to be seen by all mankind than by his beloved, either when abandoning his post or throwing away his arms? He would be ready to die a thousand deaths rather than endure this.
Therefore the good man ought to be a lover of self, since he will then both benefit himself by acting nobly and aid his fellows; but the bad man ought not to be a lover of self, since he will follow his base passions, and so injure both himself and his neighbors. With the bad man therefore, what he does is not in accord with what he ought to do, but the good man does what he ought, since intelligence always chooses for itself that which is best, and the good man obeys his intelligence.
The individual is defined only by his relationship to the world and to other individuals; he exists only by transcending himself, and his freedom can be achieved only through the freedom of others. He justifies his existence by a movement which, like freedom, springs from his heart but which leads outside of himself.
War is a serious game in which a man risks his reputation, his troops, and his country. A sensible man will search himself to know whether or not he is fitted for the trade.
There are three kinds of love;
unselfish, mutual, and selfish.
The unselfish love is of the highest kind;
The lover only minds the welfare of the beloved and does not care for his own sufferings.
In mutual love the lover not only wants the happiness of his beloved;
but has an eye towards his own happiness also. It is middling.
The selfish love is the lowest. It only looks towards its own happiness,
no matter whether the beloved suffers weal or woe.
Now that I've seen what war is, what civil war is, I know that everybody, if one day it should end, ought to ask himself: "And what shall we make of the fallen? Why are they dead?" I wouldn't know what to say. Not now, at any rate. Nor does it seem to me that the others know. Perhaps only dead know, and only for them is the war really over.
I met the real George Steinbrenner on only one occasion when he actually came and played himself on an episode of 'Seinfeld.' He seemed to really enjoy himself. I did not get to know him, but the fact that he allowed himself and his beloved team to be satirized on our show is an indication to me of his true character.
A dog gladly admits the superiority of his master over himself, accepts his judgment as final, but, contrary to what dog-lovers believe, he does not consider himself as a slave. His submission is voluntary, and he expects his own small rights to be respected.
My conception of the audience is of a public each member of which is carrying about with him what he thinks is an anxiety, or a hope, or a preoccupation which is his alone and isolates him from mankind and in this respect at least the function of a play is to reveal him to himself so that he may touch others by virtue of the revelation of his mutuality with them. If only for this reason I regard the theater as a serious business, one that makes or should make man more human, which is to say, less alone.
And at the place where time stands still, one sees lovers kissing in the shadows of buildings, in a frozen embrace that will never let go. The loved one will never take his arms from where they are now, will never give back the bracelet of memories, will never journey afar from his lover, will never place himself in danger of self-sacrifice, will never fail to show his love, will never become jealous, will never fall in love with someone else, will never lose the passion of this instant of time.
In accordance to the principles of doublethink, it does not matter if the war is not real, or when it is, that victory is not possible. The war is not meant to be won. It is meant to be continuous. The essential act of modern warfare is the destruction of the produce of human labour. A hierarchical society is only possible on the basis of poverty and ignorance. In principle, the war effort is always planned to keep society on the brink of starvation. The war is waged by the ruling group against its own subjects, and its object is not victory over Eurasia or Eastasia, but to keep the very structure of society intact.
A great many of the epic fantasies, from The Lord of the Rings onward, are about war, but to my mind, a lot of it doesn't really deal honestly with the consequences of war, what war does to us, as a society, what war does to us, as individuals, and the struggle for power, in the same way, and what we're fighting for.
No sacrifice which a lover would make for his beloved is too great for us to make for our enemy.
Marx was wrong: It is not only the 'means of production' that shape societies, but the means of destruction. In our own time, the costs of war, or just war readiness, are daunting. ... The resulting cost squeeze has led to a new type of society, perhaps best terms a 'depleted' state, in which the military has drained reources from all other social functions.
Related Authors
Ayn Rand Quotes
Russian
Writer
C. S. Lewis Quotes
British
Writer
Francois de La Rochefoucauld Quotes
French
Writer
Gilbert K. Chesterton Quotes
English
Writer
H. L. Mencken Quotes
American
Writer
Haruki Murakami Quotes
Japanese
Writer
Kurt Vonnegut Quotes
American
Writer
Leo Tolstoy Quotes
Russian
Writer
Mark Twain Quotes
American
Writer
Mason Cooley Quotes
American
Writer
Ray Bradbury Quotes
American
Writer
Samuel Johnson Quotes
English
Writer
Seth Godin Quotes
American
Writer
Sherrilyn Kenyon Quotes
American
Writer
Suzanne Collins Quotes
American
Writer