A Quote by James Baldwin
It is a very grave matter to be forced to imitate a people for whom you know-which is the price of your performance and survival-you do not exist. It is hard to imitate a people whose existence appears, mainly, to be made tolerable by their bottomless gratitude that they are not, thank heaven, you.
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Shatrughan Sinha's career lasted because people could imitate his dialogues. You cannot be a mass superstar if people don't imitate your dialogues.
I like to watch people. For example, people at the airport... What is interesting about them is that they dont know what they are like. People at airports are the most brilliant actors in the world, because their attention is elsewhere, and they are idiosyncratic. I like to imitate people. I walk behind them and imitate their backs.
The characteristic of the first sort of religion is imitation. It insists on imitation: imitate Buddha, imitate Christ, imitate Mahavir, but imitate. Imitate somebody. Don`t be yourself, be somebody else. And if you are very stubborn you can force yourself to be somebody else. You will never be somebody else. Deep down you cannot be. You will remain yourself, but you can force so much that you almost start looking like somebody else.
As actors you have this trait to imitate very easily. I don't want to imitate anything or limit myself of finding this creature, this woman because I'm looking at magazines and I'm reading comics, and I'm asking people that are avid readers of The Guardians.
[Y]ou weren't born with a talent for witchcraft: it didn't come easily; you worked hard at it because you wanted it. You forced the world to give it to you, no matter the price, and the price is and always will be high... People say you don't find witchcraft; witchcraft finds you. But you've found it, even if at the time you didn't know what it was you were finding, and you grabbed it by its scrawny neck and made it work for you.
The Chinese, whom it might be well to disparage less and imitate more, seem almost the only people among whom learning and merit have the ascendency, and wealth is not the standard of estimation.
Whoever wants to set a good example must add a grain of foolishness to his virtue: then others can imitate and yet at the same time surpass the one they imitate-which human beings love to do.
Schools teach you to imitate. If you don't imitate what the teacher wants you get a bad grade. Here, in college, it was more sophisticated, of course; you were supposed to imitate the teacher in such a way as to convince the teacher you were not imitating, but taking the essence of the instruction and going ahead with it on your own. That got you A's. Originality on the other hand could get you anything -- from A to F. The whole grading system cautioned against it.
When people are free to do as they please, they usually imitate each other. Originality is deliberate and forced, and partakes of the nature of a protest. A society which gives unlimited freedom to the individual, more often than not attains a disconcerting sameness.
The man whom nature's self had made to mock herself, and truth to imitate.
Spirit vibrated into matter; hence, both Spirit and matter exist. Matter, however, does not exist in the way that it appears to us. It exists as we see it owing to the delusive force of maya, which makes the indivisible Spirit seem finite and divisible to all appearances. Matter has existence in the same delusive way as does a mirage in the desert.
They (the creatures) encourage us to imitate Him whose mercy is over all His works. It may enlarge our hearts toward these poor creatures to reflect that not one of them is forgotten in the sight of our Father which is in heaven.
Your own self, your personality and existence are reflected within the mind of each of the people whom you meet, ... into a likeness, a caricature of yourself, which still lives on and appears to be, in some way, the truth about you. Even a flattering picture is... a lie.
They are, as it were, train-bearers in the pageant of life, and hold a glass up to humanity, frailer than itself. We see ourselves at second-hand in them: they show us all that we are, all that we wish to be, and all that we dread to be. What brings the resemblance nearer is, that, as they imitate us, we, in our turn, imitate them. There is no class of society whom so many persons regard with affection as actors.
We [tend to] have more faith in what we imitate than in what we originate. We [often feel that we] cannot derive a sense of absolute certitude from anything which has its root in us. The most poignant sense of insecurity comes from standing alone; we are not alone when we imitate.
I've been telling my students, 'Imitate, imitate.' And they say, 'Well, what if I plagiarize, or what if I'm not original? I want to be myself.' And I always tell them, 'Your self will shine through'... If you allow yourself to feel deeply and honestly, what you say won't be like anyone else.
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