A Quote by James Baldwin
It was as though we were a picture, trapped in time: this had been happening for hundreds of years, people sitting in a room, waiting for dinner, and listening to the blues.
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Sitting in a room, alone, listening to a CD is to be lonely. Sitting in a room alone with an LP crackling away, or sitting next to the turntable listening to a song at a time via 7-inch single is enjoying the sublime state of solitude.
The first time I dedicated myself to resurrecting and preserving somebody's memories was with my great-uncle. I knew he was going to die in the next few years, and I had grown up listening to all his stories about people who had been trapped or chased by the Nazis. I began to record them.
My father was always playing this ethnic blues stuff around the house, and both my parents played. Then one day my father brought home Big Bill Broonzy, and there he was sitting in our living room playing, and blues was in my heart from the time I was 12 years old.
She was incomprehensible, for, in her, soul and spirit were one - the beauty of her body was the essence of her soul. She was that unity sought for by philosophers through many centuries. In this outdoor waiting room of winds and stars she had been sitting for a hundred years, at peace in the contemplation of herself.
For his thirtieth birthday he had filled a whole night-club off Regent Street; people had been queuing on the pavement to get in. The SIM card of his mobile phone in his pocket was overflowing with telephone numbers of all the hundreds of people he had met in the last ten years, and yet the only person he had ever wanted to talk to in all that time was standing now in the very next room.
There where hundreds of graves. There where hundreds of women. There were hundreds of daughters. There were hundreds of sons. And hundreds upon hundreds upon thousands of candles. The whole graveyard was one swarm of candleshine as if a population of fireflies had heard of a Grand Conglomeration and had flown here to settle in and flame upon the stones and light the brown faces and the dark eyes and the black hair.
It's been said a thousand ways by hundreds of different people through the years, but is still as true as ever. If mamma ain't happy, ain't nobody happy. Yellow H.
Most couples have not had hundreds of arguments; they've had the same argument hundreds of times.
Being an actor is easy, just picture someone in a room and you outside waiting for your cue to go in. Elliot Gould's been trying that for forty years.
On a micro level, if we're not terribly lucky, this sort of thing can happen to us quite frequently - the political becoming the personal in dramatic and irreparable ways. I remember the first time I went out into the desert, passing by all these mine fields and getting the history on them from my guide and realizing all these murderous mechanisms were real, were just sitting out there waiting for a victim, and some of them had been for sixty, seventy, eighty years.
I think that one of the many advantages of death accruing over a long period of time is that you do have time to meet a lot of other people who are going through similar situations and one of the great delights of our life actually was sitting around in labs waiting for the results of tests and talking to other people who were waiting to find out whether their cancer numbers were going in the right direction or not.
When we had gone down there you have to remember KISS had never been to Australia. So all the hysteria of KISS that was happening in the seventies was building up in Australia. These kids were waiting seven years to see KISS. I was lucky enough to be there when we went over. We got the key to the city, it was just great.
I liked you the first time I saw you. You were sitting on the floor surrounded by books, and you looked up when I opened the door and smiled right at me. It felt like you had been waiting for me, like you were welcoming me home.
I have heartaches, I have blues. No matter what you got, the blues is there. 'Cause that's all I know - the blues. And I can sing the blues so deep until you can have this room full of money and I can give you the blues.
I hate the waiting room. Because it's called the waiting room, there's no chance of not waiting. It's built, designed, and intended for waiting. Why would they take you right away when they've got this room all set up?
I have spent probably years of time waiting in studio lounges - waiting on a mix, waiting on my time to sing, waiting on, waiting on, waiting on. That's just the nature of life.
What can I expect here? You know the fairy tale about the man who died, don’t you? He was waiting in Eternity to find out what the Lord had decided to do with him. He waited and waited, for one year, ten years, a hundred years. He begged and pleaded for a decision. Finally he couldn’t bear the waiting any longer. Then they said to him: ‘What do you think you’re waiting for? You’ve been in Hell for a long time already.
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