A Quote by James Balog
You know, I've read Joseph Conrad's 'Heart of Darkness' about fifteen times.
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Joseph Conrad and Heart of Darkness loom huge in my development as a writer. I think I'm always trying to write Heart of Darkness - trying to explode an abstraction in concrete terms, although I am aware that Conrad's story has a bit of baggage that I'd rather avoid in my work.
Writing about Africa by Africans has been part of my literary apprenticeship, standing alongside works by authors such as Joseph Conrad, Joyce Cary and Graham Greene as influences.
With 'Nostromo', Joseph Conrad said that he had wanted to write a novel about the degradation of an idea. That's what we wanted to show in the case of Dustin Hoffman's character, Bernstein.
We had all these famous writers in Sweden and from all over the world home at dinner. I wanted to be a writer, and I wanted to be a highbrow writer as my father. He never, ever read anything like crime novels. He wrote biographies of Dante, James Joyce, August Strindberg and Joseph Conrad.
My husband was getting his sea legs-rereading Joseph Conrad with a side order of C S Forester.
Things happen in 'If This is a Man' that are beyond ordinary daily experience, but it is still us to whom they are happening, and the understanding Levi seeks is no different in kind from that sought by Shakespeare in 'King Lear', or Conrad in 'The Heart of Darkness'.
If you want to know why the coast is such an inspirational place, ask Herman Melville, Jack London, Nordhoff and Hall, Robert Louis Stevenson or Joseph Conrad. It's a glimpse of eternity. It invites rumination, the relentless whisper of the tide against the shore.
Don't people know that it's the hardest work in the world? Joseph Conrad said that he had loaded hundredweights of coal all day long on a ship in Amsterdam in the wintertime, and that is was nothing to the energy demanded for a day's work writing.
I've never read Joseph Campbell, and I don't know all that much about story archetypes.
'Top Of The Lake' is a great story with a beginning, and a middle and an end, about darkness - it's like the heart of darkness. And everybody has got one. When I was reading it, I couldn't put it down, and I wanted to know what was going to happen next.
I have great love for Saint Joseph, because he is a man of silence and strength. On my table I have an image of Saint Joseph sleeping. Even when he is asleep, he is taking care of the Church! Yes! We know that he can do that. So when I have a problem, a difficulty, I write a little note and I put it underneath Saint Joseph, so that he can dream about it! In other words I tell him: pray for this problem!
Joseph Conrad was a thoroughgoing racist. That this simple truth is glossed over in criticisms of his work is due to the fact that white racism against Africa is such a normal way of thinking that its manifestations go completely unremarked.
After reading Graham Greene and Joseph Conrad when I was a student at Yale, I wanted to live in the world they captured in their books. I had had some experience living in Africa. I was drawn to that kind of adventure.
'The Secret Agent,' Joseph Conrad's 1907 novel about an anarchist plot to blow up the Royal Observatory at Greenwich - in fact, a scheme by a secret police agent to stir up a government backlash - has acquired a kind of cult status as the classic novel for the post-9/11 age.
I just gave them a little scare. A touch of psychological terror. As Joseph Conrad once wrote, true terror is the kind that men feel towards their imagination. (from Super-frog Saves Tokyo)
when you're fifteen and somebody tells you they love you, you're gonna believe them. And when you're fifteen don't forget to look before you fall. In your life you'll do things greater than dating the boy on the football team. I didn't know it at fifteen.
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