A Quote by James Balog

There is a glacier in Iceland, Solheimar, which has retreated a great deal, and every time I go back there and see what's not there any more, it does something to the heart. It makes you realise it's possible for a gigantic natural element to just disappear.
Just to lie here in the sun with great white peaks all around me and the biggest glacier in Europe at my feet, to eat from time to time, to sleep a little and dream a great deal- it is a heavenly existence.
A fondness for power is implanted in most men, and it is natural to abuse it when acquired. This maxim, drawn from the experience of all ages, makes it the height of folly to intrust any set of men with power which is not under every possible control; perpetual strides are made after more as long as there is any part withheld.
Every heart has a miracle to pray for. Every life holds that which only a miracle can cure. To prove that there have never been, that there can never be, miracles does not alter the matter. So long as there is something hoped for, - that does not come in the legitimate channel of possible events, - just so long will the miracle be prayed for.
Having a baby makes me grateful that I work for a company that does give you four months' leave. And my heart breaks for women that don't get that time with their child. As a mom, you're just not ready to go back immediately - physically, you can't. You just need some time not only to bond, but you need some time to heal.
Every single thing that you learn really just gives you more comfort. It's something I counsel kids all the time: if someone is willing to teach you something for free, take them up on it. Do it. Every single time. All it does is make you more likely to be able to succeed. And it's kind of a nice way to go through life.
Maybe it's just a personal thing, but I get so much grounding from Iceland because I know it's always going to be there. I have a very happy, healthy relationship with the country, so it's really easy to go everywhere because I always have Iceland to go back to.
The world, like a great iris of an even more gigantic eye, which has also just opened and stretched out to encompass everything, stared back at him.
Every single movie I go up for I'm just checking the phone to see if the e-mail's come in, to see if I got the part yet, which makes me more anxious.
It's hard to believe. Where does the times go?' Betty sighs. 'I've always hated that phrase. It makes it would like time went on a holiday, and is expected back any day now. Time flies is another one I hate. Apparently, time does quite a bit of traveling, though.
The 'New Yorker' asked me to shoot a story on climate change in 2005, and I wound up going to Iceland to shoot a glacier. The real story wasn't the beautiful white top. It ended up being at the terminus of the glacier where it's dying.
What visual information does is it creates priorities. You cannot know with certainty what lies behind something else. There are very few transparent materials in the natural world or the built environment. And so we deal with things superficially, and we deal with what's in front of us, not what's behind our head that we can't see, or to the left or the right. Visualists are often linear and timeline-oriented, whereas the natural condition and the natural way of problem-solving throughout evolution is to be multitasking.
Maybe it's just a personal thing, but I get so much grounding from Iceland because I know it's always going to be there. I have a very happy, healthy relationship with the country, so it's really easy to go everywhere because I always have Iceland to go back to. It's sort of a contradiction, but that's how it works somehow.
If you just sit and observe, you will see how restless your mind is. If you try to calm it, it only makes it worse, but over time it does calm, and when it does, there's room to hear more subtle things - that's when your intuition starts to blossom and you start to see things more clearly and be in the present more. Your mind just slows down, and you see a tremendous expanse in the moment. You see so much more than you could see before. It's a discipline; you have to practice it.
Thus our own age is essentially one of understanding, and on the average, perhaps, more knowledgeable than any former generation, but it is without passion. Every one knows a great deal, we all know which way we ought to go and all the different ways we can go, but nobody is willing to move.
Each time I go to a place I have not seen before I hope it will be as different as possible from the places I already know. I assume it is natural for a traveler to seek diversity, and that it is the human element that makes him most aware of difference. If people and their manner of living were alike everywhere, there would not be much point in moving from one place to another.
When you see something special, something inspired, you realise the debt we owe great curators and their unforgettable shows - literally unforgettable because you remember every picture, every wall and every juxtaposition.
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