A Quote by James Berardinelli
The Drop's unpredictability is organic rather than sensationalistic. The movie doesn't pull surprises out of thin air for the sole purpose of shocking an audience - it lets them develop naturally.
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I prefer improvising, rather than creating comedy out of thin air.
Anyone can do shock value. Develop enough tension and cue the music right, then have something jump out: It's almost impossible not to jump in your seat. But that doesn't leave any effect on you when you leave the movie theater. To me, the best horror is psychological horror. The Exorcist, The Shining, The Omen, things that kind of stick with you long after you've seen them. It's what you don't see. It's letting the audience think a little bit, not spelling it out for them. Giving them credit for using their own imaginations rather than sticking in gags and tricks.
If the audience lets that stuff wash over them, you know - almost like music, rather than dialogue - and doesn't fight it, then they'll have a much easier time rather than being sort of frustrated and confused otherwise. But if you get in the right state of mind it really does work quite well.
As to memory, it is known that this frail faculty naturally lets drop the facts which are less flattering to our self-love - when it does not retain them carefully as subjects not to be approached, marshy spots with a warning flag over them.
People need to trust you: that you're going to pull them out and that they will follow you when you pull them out. If they don't get that comfort, they're going to drop you. This is true of organizations. It's true of countries.
A lot of the people I'm working with are not actors, or it's their first time in a movie. I'm not trying to shape performances, coax performances out of them. It's more like I want to put them in situations that naturally work or allow them to be themselves. If it's not happening, I'll just completely switch it up, rather than trying to make it work.
Many times, when you go to arrest somebody, they pull their gun, and here I am, a federal agent, telling them to drop their gun. But the gun is like that. I give them a split second to drop it, and they drop it. I could have shot them - who is going to complain?
Originally, the atoms of carbon from which we're made were floating in the air, part of a carbon dioxide molecule. The only way to recruit these carbon atoms for the molecules necessary to support life-the carbohydrates, amino acids, proteins, and lipids-is by means of photosynthesis. Using sunlight as a catalyst the green cells of plants combine carbon atoms taken from the air with water and elements drawn from the soil to form the simple organic compounds that stand at the base of every food chain. It is more than a figure of speech to say that plants create life out of thin air.
A show needs time to find an audience, and they're very quick to pull them off the air now.
Christian audience, I think, have grown very tired of movies that try to pander to them. For instance if someone goes, "Ok, we're designing what we're going to do with this movie. It's a Christian movie and they'll eat it up." And you know what? Consumers are smarter than that. They go, "The movie isn't that great and he thought that I would just be a sucker and plop my $10 down for it?" Because you're looking down at the audience. You can't pander to an audience.
Mmmm... the comedy that matters is the comedy you pull out of thin air. It's a bit like when something funny has happened and you try to explain it to someone else and end up saying, 'You had to be there'.
Mmmm... the comedy that matters is the comedy you pull out of thin air. It's a bit like when something funny has happened and you try to explain it to someone else and end up saying, 'You had to be there.'
Life always holds in store surprises that are more complex and unforeseeable than any dream, and the secret is to let them come and not block them with castles in the air.
My definition of fake news is a content-like object that is a story, an article, a video, a tweet that has been fabricated, completely invented out of thin air, intentionally for the purpose of misleading.
The most stressful and difficult part of steering a large movie is that you are taking on the responsibility of communicating with a very wide audience. You can't ever hide behind the notion of, 'Okay, they just don't get it,' or, 'Certain people just don't get it.' You have to be mindful of the size of your audience, and you have to communicate in a way that lets them in.
I think the best way to quickly describe my personality is that I'm a maximizer rather than a satisficer, i.e. I want to squeeze every drop out of an opportunity rather than settle for 'good enough.'
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