A Quote by James Blaylock
No author's writing more influenced my own than that of Robert Louis Stevenson. My first steampunk story, 'The Ape-box Affair,' is a sort of melange of Stevenson and P.G. Wodehouse.
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Robert Louis Stevenson... I'm focusing on the late short stories that I was ignorant of. I always thought he was a boys' author, but he's not at all.
The teachers liked me. In grade school, they make you copy pictures from books. I think the first one was Robert Louis Stevenson.
My breakthrough as a reader was when I discovered the European adventure story writers - Alexander Dumas, Robert Louis Stevenson, Sir Walter Scott, to name a few.
Robert Louis Stevenson...was a storyteller, that's what I'd like to be, that's what I'm trying to be
I really learned how to write from Robert Louis Stevenson, Anthony Trollope, and de Maupassant.
An offer to fight Muhammad Ali came after Stevenson won his second Olympic gold in Montreal in 1976. Stevenson was at his peak. The world had never seen a heavyweight with the tools Stevenson brought into the ring.
I'd like to go back in time and haunt Robert Louis Stevenson during his years in the South Pacific.
I always loved reading. Growing up, my favorite book was 'A Child's Garden of Verses,' by Robert Louis Stevenson.
My three favorite travel writers of all time are Robert Louis Stevenson, Graham Greene, and Chuck Thompson. Smile When You're Lying not only tells the truth about the travel-writing racket, it gets to the heart of some of the travel industry's best-kept secrets.
In Robert Louis Stevenson's 'Jekyll & Hyde,' the hero decides on the terms of his transformation in a process that's explained not through the supernatural but the natural or, at least, through biochemistry.
The power of reading a great book is that you start thinking like the author. For those magical moments while you are immersed in the forests of Arden, you are William Shakespeare; while you are shipwrecked on Treasure Island, you are Robert Louis Stevenson; while you are communing with nature at Walden, you are Henry David Thoreau. You start to think like they think, feel like they feel, and use imagination as they would. Their references become your own, and you carry these with you long after you've turned the last page.
If you want to know why the coast is such an inspirational place, ask Herman Melville, Jack London, Nordhoff and Hall, Robert Louis Stevenson or Joseph Conrad. It's a glimpse of eternity. It invites rumination, the relentless whisper of the tide against the shore.
The songs are not meant to be real life. They're meant to have a psychic - rather than a factual - bearing on the listener. It's rare that a song grounded in reality moves me because I don't feel like I'm getting the whole story. Songs are made to exist in and of themselves, like a great James Jones or Robert Louis Stevenson novel - they're not autobiographical, and yet there's a reality in every single page. It's real life of the imagination.
The distinction between literary and genre fiction is stupid and pernicious. It dates back to a feud between Robert Louis Stevenson and Henry James. James won, and it split literature into two streams. But it's a totally false dichotomy.
Stevenson had noble ideas--as did the young Franklin for that matter. But Stevenson felt that the way to implement them was to present himself as a thoughtful idealist and wait for the world to flock to him. He considered it below him, or wrong, to scramble out among the people and ask them what they wanted. Roosevelt grappled voters to him. Stevenson shied off from them. Some thought him too pure to desire power, though he showed ambition when it mattered.
I don't think I have one particular favourite writer. I have many whose works I will always buy or reread - Muriel Spark, Anthony Powell, Robert Louis Stevenson, Ruth Rendell, James Ellroy, William McIlvanney, Kate Atkinson, John Burnside, Louise Welsh, Iain Banks.
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