A Quote by James Blunt
Ladies love a soppy lyric. There's a real winner in 'Carry You Home'.
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Ladies love a soppy lyric. There's a real winner in 'Carry You Home.'
I'm a real stickler for a great lyric, or what I think is a great lyric. It's almost impossible for me to sing a song I don't love. My thing is: If it's a great lyric, you can do anything with the song.
Home is a blueprint of memory...Finding home is crucial to the act of writing. Begin here. With what you know. With the tales you've told dozens of times...with the map you've already made in your heart. That's where the real home is: inside. If we carry that home with us all the time, we'll be able to take more risks. We can leave on wild excursions, knowing we'll return home.
Speaking of people I had to exclude: Hank Williams. which is to say, songs are part of lyric poetry in my book, my thinking. In fact they are the urgent element of poetry in our time, they carry the most emotion for the most people in our culture. everyone LOVES poetry, because we all love (one form or another) of rock and roll (be it folk to emo to rap). It's all rock and roll and all lyric poetry.
Regular women carry pictures of their babies, their husbands, their summer houses. Fat ladies carry pictures of themselves at their skinniest.
In society it is etiquette for ladies to have the best chairs and get handed things. In the home the reverse is the case. This is why ladies are more sociable than gentlemen.
I do love the feeling of a big win. But you don't have to have a World Series ring to be a winner. A winner is somebody who goes out there every day and exhausts himself trying to get something accomplished. Being able to get the most from their ability. That's what characterizes a winner.
When I write love songs, people think they're really soppy - but I see love as a consolation for the boredom of life.
It's very rare - and it does happen on occasion - where I'll take a piece of lyric and I'll just sit down and purposefully craft that melody around that lyric because I think the lyric is the wellspring for the song, without question.
My poetry is not lyric. The epigrams are lyric because they come from my youthful period of lyricism, but my other poetry is not lyric.
Ladies love outlaws, like babies love stray dogs. Ladies touch babies like a banker touches gold, outlaws touch ladies somewhere deep down in their soul.
What happened to romance? Sappy, soppy longhand love letters.
What I love most about Norway is you ladies. Back home I'm used to fat and hairy women journalists.
Sometimes it starts with a random lyric idea that sets the tone for the whole song. Chords and sounds build from the lyric and rhythm, kind of. Sometimes it's a track I fall I love with... but writing my own songs, I rarely write on tracks.
Love doesn't hide. It stays and fights. It goes the distance, that's why love is so strong. So it can carry you all the way home.
Usually it's lyric first, but sometimes it's melody. And I carry a hand-held recorder everywhere I go so I can just hum or whistle a melody if one hits me. Sometimes it's both simultaneously - lyric and melody at the same time - those are a little confusing to me, but sometimes it comes in that form. I just feel like I have my own little radio station and sometimes the static clears and something beams in from out there.
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