A Quote by James Branch Cabell
American literature was enriched with Men Who Loved Allison .... Of the actual and eventual worth of this romance I cannot pretend to be an unprejudiced judge. The tale seems to me one of those many books which have profited, very dubiously indeed, by having obtained, in one way of another, the repute of being indecent.
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It seems to me that literature is giving way a little bit to the immediacy of other diversions, other forms of entertainment. What will it be in fifty years? I don't know. Will there be printed books? Probably, but I'm not sure. There's always going to be literature, though. I believe that. I think literature has a way of getting deep into people and being essential. Literature has its own powers.
The very cheapness of literature is making even wise people forget that if a book is worth reading, it is worth buying. No book is worth anything which is not worth much; nor is it serviceable, until it has been read, and re-read, and loved, and loved again; and marked, so that you can refer to the passages you want in it.
I am fine with my books being categorized as African-American literature but I hope they are also considered Haitian-American literature and American literature. All of these things are part of who I am and what I write.
We like books that have a lot of dreck in them, matter which presents itself as not wholly relevant (or indeed, at all relevant) but which, carefully attended to, can supply a kind of "sense" of what is going on. This "sense" is not to be obtained by reading between the lines (for there is nothing there, in those white spaces) but by reading the lines themselves looking at them and so arriving at a feeling not of satisfaction exactly, that is too much to expect, but of having read them, of having "completed" them.
...the tale that's told for no other reason but companionship, which is another (and my favorite) definition of literature, the tale that's told for companionship and to teach something religious, of religious reverence, about real life, in this real world which literature should (and here does) reflect.
We do not see into men’s hearts. We cannot judge, and are indeed forbidden to judge.
It does not follow because many books are written by persons born in America that there exists an American literature. Books which imitate or represent the thoughts and life of Europe do not constitute an American literature. Before such can exist, an original idea must animate this nation and fresh currents of life must call into life fresh thoughts along the shore.
While men pretend not to judge women for the way they look, we go to great lengths to pretend we don't care, either.
We cannot judge fully of men's works by what we see, or what is said and thought of them; for man is prone to depreciate that which is really important, and to exact and extol what is trivial and of little worth. Many things which are hidden and unrecognized of human wisdom are nevertheless valuable and vitally important.
Society is indeed a contract. It is a partnership in all science; a partnership in all art; a partnership in every virtue, and in all perfection. As the ends of such a partnership cannot be obtained in many generations, it becomes a partnership not only between those who are living, but between those who are living, those who are dead, and those who are to be born.
I think being a writer is being heavily attuned to the absolute absurdity of things you take for granted, and I think that having actual parents who lived through the Cultural Revolution who are also interested in literature, they're also very attuned to those moments.
Consider these people, then, their way of life, their habits, their manners, the very tones of their voice; look at them attentively; observe the literature they read, the things which give them pleasure, the words which come forth out of their mouths, the thoughts which make the furniture of their minds; would any amount of wealth be worth having with the condition that one was to become just like these people by having it?
We continue to hope that a way can be found for Benchmark to move forward, having profited so handsomely from the work of Travis Kalanick and many others, and to do so without inflicting gratuitous harm on the company which we have all supported, and for which we continue to have the greatest expectations.
I think people do look to writers to tell the truth in a way that nobody else quite will, not politicians or ministers or sociologists. A writer's job, is to, by way of fiction, somehow describe the way we live. And to me, this seems an important task, very worth doing, and I think also, to the reading public, it seems, even though they might not articulate it, it seems to them something worth doing also.
Here is the infallible test. Imagine yourself in a situation where you are alone, wholly alone on earth, and you are offered one of the two, books or men. I often hear men prizing their solitude but that is only because there are still men somewhere on earth even though in the far distance. I knew nothing of books when I came forth from the womb of my mother, and I shall die without books, with another human hand in my own. I do, indeed, close my door at times and surrender myself to a book, but only because I can open the door again and see a human being looking at me.
When I went to college, I majored in American literature, which was unusual then. But it meant that I was broadly exposed to nineteenth-century American literature. I became interested in the way that American writers used metaphoric language, starting with Emerson.
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