A Quote by James Brown

I'm not going to be joining ZZ Top. You know they can't play my stuff. It's too complicated. — © James Brown
I'm not going to be joining ZZ Top. You know they can't play my stuff. It's too complicated.
I'm going to go with ZZ Top -- they're my faves . . . because of the whole thing that they do with the guitars and the old Father Time beards.
I got to play with ZZ Top and introduce Bryan Adams and George Michael. And to have it all topped off by me winning 'American Idol?!' It's pretty absurd.
ZZ Top did get a chance to play with Lightnin' Hopkins and Jimmy Reed, there's still that one, single song we just can't shake... J.B. Hutto's "Combination Boogie".
I remember somebody saying, "I feel really bad for kids growing up around iPads right now. It's just too complicated. Life's too complicated." I think, yeah, but I remember being a kid and holding up a new piece of technology that was made in the '80s and my grandparents going, "Oh, it's too complicated." It didn't seem complicated to me.
I like all of the typical hard rock bands. I'm an AC/DC fanatic. I love ZZ Top, just about any Van Halen, any Judas Priest, the list goes on and on, most of the Iron Maiden stuff. Those are the big bands, but I got my feel from, I grew up on Mountain and Humble Pie. That kind of stuff is where I get my feel from.
Ministry is just ZZ Top with technology.
Hillary Clinton was an outstanding secretary of state. She would never intentionally put America in any kind of jeopardy. And what I also know, because I handle a lot of classified information, is that there's classified and then there's classified. There's stuff that is really top secret top secret, and there's stuff that is being presented to the president or the secretary of state that you might not want on the transom or, you know, going out over the wire, but is basically stuff that you could get in open source.
I'm living proof that Hepatitis C can be contained and that ZZ Top cannot.
PhotoShop is a program I use all the time with my 2D stuff. And that's an extraordinary program - you really can do anything there, and I've never hit my head on the ceiling. The 3D stuff is incredibly complicated, monstrously complicated, but for the things that I want to do, I've found very simple and interesting ways, I hope, of making images without getting tied up too much in the maps and technicalities.
When I play live in restaurants and cafes, I don't play my own stuff. I play jazz and 'American Songbook' standards, and I'll fuse it with top 40.
Don't accept the excuse of complexity. A lot of people will tell you, this is too challenging, this is too complicated, yeah well I know other people simplify but that's not for me, this is a complicated business. They're wrong. You can change the world in 140 characters.
I think we have arrived at the stage where we are making it too complicated. I know guys who can't play two rounds before running to their teachers.
There is always going to be competition. When you play for a top club, you're going to attract top players. It's part and parcel of football.
My mom was always playing Elvis around the house or ZZ Top, so there was always rock-n-roll and country being played.
When you play the bars, you pay your dues. It does matter that you know those things [songs]. And the great thing for me, too, is that I draw on that stuff as influences. It's also stuff that you put in the tank that you pull from to make records.
If you're too methodical, too fearful, you're not going to win. But the clever thing is to make the calculation correctly about where and when to go over the top. You've got to know when to push it and when to come back.
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