A Quote by James Caan
I have nothing against these big CGI movies, but there are not enough of the other ones - the ones with stories about character that have a beginning, a middle and an end. I said that to a couple of studio heads and they said, 'That's novel.'
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I used my daughter's crayons for each main character. One end of the wallpaper was the beginning of the story, and the other end was the end, and then there was all that middle part, which was the middle.
I let myself go at the beginning and write with an easy mind, but by the time I get to the middle I begin to grow timid and to fear my story will be too long. . .That is why the beginning of my stories is always very promising and looks as though I were starting on a novel, and the middle is huddled and timid, and the end is...like fireworks.
I played a little football when I was really young, but I didn't start until my junior year. My cousin, who was a big influence in my athletic career over time, said you should go out for receiver. I said let's give it a shot. I went out and played a little and caught a couple balls over a couple dudes heads.
The collages I never wanted to sell. I thought it was a very private thing, so I kept the collages. Then, in the end, I had a big collage in the Pinault Collection in Venice and the director of the [Centre] Pompidou said, "Did you make big collages like this in the '60s?" I said yes, so he came to the studio and said, "Let's make an exhibition in the Pompidou."
[Larry Kramer] said, when it was all about to fall through, "You betrayed me, Calvin." And I said, "I resent that. I was against you from the beginning."
I did not always agree, personally, on the positions that Bartlet, character from the West Wing, took and I argued against them on many occasions. But Aaron Sorkin said, "Martin, that's you, that's not Barlet. It's a very political decision he has to make." I found from the very beginning that when I infused my own personal feelings about an issue it went against the grain of the character.
I'm not a big fan of kids' movies that have this knowing snarkiness to them or this post-modern take on storytelling. I think that sails right over the heads of most kids. There's something to be said for a well-told fairy tale. There's a reason that these mythic stories stay with us.
I always write these movies that are far too big for any paying customer to sit down and watch from beginning to end, and so I always have this big novel that I have to adapt into a movie as I go.
The biggest regret I have about 'Rubicon' is that we didn't end it. Sometimes you do these shows and you don't have the opportunity to get closure. Stories are supposed to have a beginning, middle and an end.
As we've said, it's not a coincidence that Fear Itself, Schism, and other big stories end at the same time. This is the first brick in the next road.
It's been said that every new beginning in some other beginning's end.
But what about the End of the Universe? We'll miss the big moment." I've seen it. It's rubbish," said Zaphod,"nothing but a gnab gib." A what?" Opposite of a big bang. Come on, let's get zappy.
I was surprised by how warm the response was, even among studio heads, who said they really, we do have to do something about glamourization of smoking.
Television is a lot of fun. It's faster-paced. The schedule is really desirable, I guess. But as far as films go, and I've only done a couple; film is like a definitive beginning, middle and end. You know your character's arch.
Man no longer lives in the beginning--he has lost the beginning. Now he finds he is in the middle, knowing neither the end nor the beginning, and yet knowing that he is in the middle, coming from the beginning and going towards the end. He sees that his life is determined by these two facets, of which he knows only that he does not know them
Consider: for all the gobbledegook [film studio] executives spout about backstory, all that we, the audience, want to know is what happens next. That's the only thing that's going on. . . . Character is nothing other than action, and character-driven means The plot stinks, and you'd better hope the star is popular enough to open the movie in spite of it.
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