A Quote by James Carville

You have to have sharp elbows if you want to change something. — © James Carville
You have to have sharp elbows if you want to change something.
Everything I had been taught to regard as a vice - and I still regard them as vices - under Thatcherism was in fact a virtue: Greed, selfishness, no care for the weaker, sharp elbows, sharp knees.
Before shows, we rub elbows and growl. It started once when someone had a cold, and we didn't want to hug each other. So we started rubbing elbows. And we don't kiss. We just go, 'Grrrr!'
Wall Street trading floors have long been seen as bastions of testosterone that rewarded, literally, those with sharp elbows who could throw a punch.
The problem is no longer that with every pair of hands that comes into the world there comes a hungry stomach. Rather it is that, attached to those hands are sharp elbows.
I think all actors want to change. When you do something many times, over and over, you want to do something fresh. But movie is still my business. A lot of action actors want change, but no studio wants to spend money on something that is not guaranteed; not proven. I think it is very difficult. It is hard to change.
Poetry is a street fighter. It has sharp elbows. It can look after itself. Poetry can't be used for manipulation; it's why you never see good poetry in advertising.
Now it's just sharp elbows, and instead of having a caucus where you sit down and say, 'What are you doing for your country?' you sit figuring out how to screw the other side.
If you don't like how something is going for you, change it. If something isn't enough, change it. If something doesn't suit you, change it. If something doesn't please you, change it. You don't ever have to be the same after today. If you don't like your present address change it - you're not a tree!
If you want to be a sharp thinker, be around sharp people.
As I’m fond of saying, if you want to find utopia, take a sharp right on money and a sharp left on sex and it’s straight ahead.
Principles are like sheaths. It doesn't have the sharp edge to cut something, but it can cover that sharp edge. So that no one gets hurt.
With people, if you see something you want to change, you can make the change immediately. And if that doesn't work, you can change it again half an hour later. You can't do that with a robot. They're terrible at experimenting.
Nobody wants to be trapped inside that cage me. They don't want to be cut by my elbows, they don't want to get hit by any of my kicks and they don't want their conditioning checked by me.
I'm purposeless. I'm making art because I want you to look at that painting and I want it to affect you in some way, to change what you see, to change how you see it. To change how you see something, whatever.
People are generally forced to change. We don't want to change, and then something absolutely forces us to realize that what we are doing isn't working or that our picture of the world is wrong. We fail. So we change.
When someone writes something hateful and threatening I respond with something like, "I want to be so much like you; I want to wear your skin." By messing with them in that way you change what they're selling. They won't share it. And it halts the conversation. Or I'll change it to "Jenny, you're like a rose bush that grew a watermelon." They come back pissed off and write, "I didn't say that!"
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