A Quote by James Cleverly
If we went around just throwing people on the scrap heap because of one or two things that they might have done in their youth, I think we would lose a lot of talent.
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Throwing young people on the scrap heap is a public health emergency.
Everybody has talent and it's just a matter of moving around until you've discovered what it is. A talent is a combination of something you love a great deal and something you can lose yourself in - something that you can start at 9 o'clock, look up from your work and it's 10 o'clock at night - and also something that you have a talent, not a talent for, but skills that you have a natural ability to do very well. And usually those two things go together.
I would love to work in international movies just because the talent all around the world is great. There's a lot of good talent and the audience base is bigger.
If we're just going to have contenders fighting just to fight, that doesn't make a whole lot of sense. Then I might as well just start jumping around divisions too because there's a lot of fun fights for myself in other divisions that I think I would love to entertain.
The moment you decide that you're a grownup now, and therefore must put away foolish things like staying out all night or cruising down strange highways is the moment you will lose that ineffable glow of youth. If you don't believe me, look around. Study those people who would rather go to shopping malls than dance halls, who think the height of depravity is bidding two no trump with only fifteen points. Every single one of these people has a stringy neck.
A lot of bands just entertain you. I'm all about entertainment - I do it every day - but there's only certain things in your life that stick around. I think P.O.D. has done that for a lot of people, and I'm happy for that.
I don't think talent has anything to do with inspiration. Inspiration creates talent. People prioritize innate talent too much. It gives them license to walk around and act like assholes. I think I straddle a line between being innately talented and having had to put in some work. You ever go to a party where there are a lot of creative people and they feel like they have license to just act any kind of way? I'm not really a moral person myself, but they just tend to never ever be sincere because they believe their art or the fact that they are artists makes them holy in some way.
I think, writing-wise, I am probably more of a quilter than a weaver because I just get a little scrap here and a little scrap there and sew them together.
You'd think they could spit out shows better than 'Champs' and 'High Incident' with the pool of talent involved, unless they're just throwing money at people to create shows and they're not really behind them. I mean, the best thing they can do is 'Champs,' a half-hour comedy about men being stupid? People can just look around and see that.
All the people ought to decide, but now most states are tossed on the scrap heap and ignored
I understand that actors lose their looks, they change over time, but people don't lose their talent. I think that, as people get older and the people who make the decisions get older, they don't like hiring people much older than them because it reminds them of their fathers, and they don't like telling people older than them what to do. It makes them uncomfortable. I think that happens a lot.
You know, the bully pulpit that the president has is pretty significant. And I think that one of the things this I've learned in my two and a half years in Congress is the American people want to see us transcend party label and transcend D and R and actually get things done, deliver to the American people, and I think if we were focused on that, we would be seeing a lot more folks happy with what's going on in Washington, D.C.
I usually say I might have a talent or I'm lacking a talent, because everyday, I must tell you, I thank whatever is up there or out there that I'm alive and that I get to do what I'm doing, and I think that sends off a lot of good vibrations in different directions.
I was doing a show at the National Youth Theatre, playing an old man. Before that I had played fat clowns and I thought, 'If I want to have the career I would like, I am going to have to lose weight.' I was just starting drama school, and found I was moving around a lot. I also started to eat sensibly. The weight just dropped off.
A lot of people think that in your second year you might struggle because you're gonna try to do a lot more, and you can struggle because you might be forcing things. But as long as you play within yourself, I feel like you should grow as a player, and you should be getting better.
I think I just grew up with this receptivity that a lot of people might shut down at an early age because of the influences around them. I didn't really have that, so it just allowed me to trust what I see, hear and feel a lot more. It allowed me to have more confidence in going with my gut.
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