A Quote by James Coburn

Studios have been trying to get rid of the actor for a long time and now they can do it. They got animation. NO more actor, although for now they still have to borrow a voice or two. Anyway, I find it abhorrent.
I'm a better actor now than I ever was, I wish I could have hurried that up, but there's no way. Anyway, I always wanted to be around for a long time. Like a European actor, I hope I live a long time and that I'm acting until I finish.
I’ve been an actor for 10 years now, and if anything I want to talk more about my dad. He taught me that even if you get past the casting director’s door you’ve still got to do your homework: you’ve still got to work hard.
It's cool that we got rid of that, but we got rid of everything - the encouraging pat on the back or even a hug which I find can be acceptable in some situations. I know that it's a sensible subject and that we're trying to avoid nasty things, but [you can] have as many rules as you want, there will still be stuff happening anyway.
I got on Twitter because it was a way to express guitar and surfing, and who I was, but now - it's still fun, and I can do that - but I think it's more of a business. I thought it was a personal thing that actors could do themselves, but now it's become a tool that studios are trying to use to sell their movies.
I have been in the industry for many years now, but people still come up to me and say, 'Sir, you're such a good actor. We loved watching you in that movie. What's your name?' While any other actor might get offended, I don't mind this at all.
I have been working as an actor for 16-17 years now. The funny thing is I still feel awkward in communicating with the public as a star. It hasn't been long since my drama 'Goblin' ended, and I'm looking forward for some time to rest.
I'm not like, 'I'm a famous doula.' I'm a doula. I'm trying to find a way to get rid of the stigma around 'You're the singer; You're the actor' - we have to be able to do more than one thing.
Now, I don't know about my peers, but I get nervous - okay, I genuinely freak out - when an actor starts trying on a Southern accent. That's for Brits trying to find the easiest way to sound American.
I felt for a really long time, "When I grow up I want to be an actor." And now I'm like, "Oh, this is it now. This is my life."
To be an actor, it's really tough to find your own voice because you're always tied to other characters and going to auditions and trying to get a job, hoping they'll pick you. And I think it's just so important for an actor to have something else that's creative, something that's creative and you're in charge of.
First of all, computer animation is certainly a tremendous and viable medium today. But the warmth and personality derived from 2-D animation, in my opinion, cannot be surpassed. Certain stories lend themselves well to 3-D animation and I won't labor this with naming them, but in my bones, I still respond more emotionally to the artists feel in 2-D. You feel the 'actor' in the animator more personally...it's hard to explain.
I'm an actor. If you had said to me before I started acting that I'd get two bites of the cherry - you would do things that people will remember forever like 'The Brothers' which I did in the '70s and now 'Doctor Who' - I'd have been overjoyed and I still am.
I've been in the industry long enough now - I've been a working actor since 2002. I'm very aware that at some point, I won't be as successful as I am now, so I'm enjoying it. I know that there will be points where it's not going as well, and I'm prepared for that.
I learned so much from my life as an actor, as a kid actor through being an adult actor, and then becoming a writer and producer and doing animation.
Trying to give an individual a voice has always kind of been my mission in my life. As an actor, I've always seen that was something that needed to be done. You need to find that voice inside of you so that you can stand up and be who you really are.
Do what you want I don't care. That's the thing to say to an actor. Most people don't understand that. Not to manipulate them. That's what you say to an actor. You got a problem with the whole environment in doing that? Fine, what are we going to do to make the scene work? Now you have someone on your side. Now you have someone working with you.
This site uses cookies to ensure you get the best experience. More info...
Got it!