A Quote by James Comey
Do not let fear become disabling. That is what the terrorists want. They want you to imagine them in the shadows; they want you to imagine them as something greater than they are.
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Imagine craving absolutely nothing from the world. Imagine cutting the invisible strings that so painfully bind us: what would that be like? Imagine the freedoms that come from the ability to enjoy things without having to acquire them, own them, possess them. Try to envision a relationship based on acceptance and genuine care rather than expectation. Imagine feeling completely satisfied and content with your life just as it is. Who wouldn't want this? This is the enjoyment of non-attachment.
When you're young - when I was young - you want your emotions to be like the ones you read about in books. You want them to overturn your life, create and define a new reality. Later, I think, you want them to do something milder, something more practical: you want them to support your life as it is and has become. You want them to tell you that things are OK. And is there anything wrong with that?
I want my characters to suggest the background in themselves, even when it is not visible. I want them to be so powerfully realized that we cannot imagine them apart from their physical and social context even when we see them in empty space.
The people want wholesome dread. They want to fear something. They want someone to frighten them and make them shudderingly submissive.
I do not want a plain box, I want a sarcophagus
With tigery stripes, and a face on it
Round as the moon, to stare up.
I want to be looking at them when they come
Picking among the dumb minerals, the roots.
I see them already-the pale, star-distance faces.
Now they are nothing, they are not even babies.
I imagine them without fathers or mothers, like the first gods.
They will wonder if I was important.
I mean simply to say that I want my characters to suggest the background in themselves, even when it is not visible. I want them to be so powerfully realized that we cannot imagine them apart from their physical and social context even when we see them in empty space.
You can't write good characters if you can't imagine what it's like being in another person's skin. And if you can imagine that, you naturally want other people's lives to be better. You want to make that happen.
If you want to do something you have to imagine it. If you don’t imagine it, it will never happen
People don't want to look at you and think, 'Oh, it must have taken her so long to get ready!' It's not as exciting to imagine. They want to imagine your life being - well, the opposite of what it sometimes is, where getting dressed is very regimented, you know? People don't want to know that.
I can't imagine a duller fate than being the best-dressed woman in reality. When I want to do something, I don't pause to contemplate whether I'm exquisitely gowned. I want to live, not pose!
Business is war. I go out there, I want to kill the competitors. I want to make their lives miserable. I want to steal their market share. I want them to fear me and I want everyone on my team thinking we're going to win.
If things are not so good, you may be one to imagine something better. For me, I was able to imagine myself as in a role of greater importance than I would seem to be ordinarily.
A lot of my work deals with this emotion of discouragement or fear, and this emotion cannot be approached without humor because then things become indigestible. You don't want to eat them; you don't want to be in contact with them.
It's my life dream to be able to go and continue going to schools and teaching them about stretching and aerobics, cardio and strength training, because I want them to have a better life than I did. I don't want them to grow up to be me. I want them to be healthy. I want them not to go through eating disorders [like me].
I want young Indian composers to be able to do more than just film music. I want to give them the skills that will enable them to create their own palette of sounds instead of having to write formulaic music. It doesn't matter if they become sound engineers, producers, composers or performers - I want them to be as imaginative as they like.
People want to be on a team. They want to be part of something bigger than themselves. They want to be in a situation where they feel that they are doing something for the greater good.
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