A Quote by James Cook

The thing that distinguishes permanent poverty is bad character. — © James Cook
The thing that distinguishes permanent poverty is bad character.
Poverty is a strange and elusive thing. ... I condemn poverty and I advocate it; poverty is simple and complex at once; it is a social phenomenon and a personal matter. Poverty is an elusive thing, and a paradoxical one. We need always to be thinking and writing about it, for if we are not among its victims its reality fades from us. We must talk about poverty because people insulated by their own comfort lose sight of it.
Poverty can't be an excuse for bad teaching, but teaching can't be the only thing we do to combat poverty.
I'm a bug on acting, which distinguishes Second City from a lot of other revues. It comes from the character, the behavior, and not from the jokes. I don't think jokes are funny. Humor comes out of character and out of situations the character is in.
I don't think being flawed is a bad thing for a character... nor do I think it's a bad thing for a person in life, because that's how we all are.
Both poverty and wealth, therefore, have a bad effect on the quality of the work and the workman himself. Wealth and poverty, I answered. One produces luxury and idleness and a passion for novelty, the other meanness and bad workmanship and revolution into the bargain.
Poverty is not a character failing or a lack of motivation. Poverty is a shortage of money.
In trans-border relations, there are no permanent friends or permanent enemies or even permanent borders. There are only permanent interests and everything should be done to secure these interests.
The legacy of the fairy story in my brain is that everything will work out. In fiction it would be very hard for me, as a writer, to give a bad ending to a good character, or give a good ending to a bad character. That's probably not a very postmodern thing to say.
I think connected to poverty is the trauma of poverty. It's not just a material thing; it's a psychological thing that we have no mental health system in this country.
Poverty itself is not so bad as the poverty thought. It is the conviction that we are poor and must remain so that is fatal.
By the Reagan era, the 'culture of poverty' had become a cornerstone of conservative ideology: poverty was caused not by low wages or a lack of jobs but by bad attitudes and faulty lifestyles. The poor were dissolute, promiscuous, prone to addiction and crime, unable to 'defer gratification' or possibly even set an alarm clock. The last thing they could be trusted with was money.
I don't think the 'what' distinguishes a good novel from a bad one but rather the 'how.'
When it gets going bad and it gets going to where all these things are happening around you, the thing that stands out most is your character. You have to make sure you keep your character and your wits about you, because at the end of the day, it might be bad for a little while, but if you're a good coach it all works out.
The thing that I love about 'Scandal' is every character, it's not clear if they're good or bad. Everyone is both good and bad.
I'm very glad people love 'Breaking Bad,' but the harder character to write is the good character that's as interesting and as engaging as the bad guy.
If I'm playing someone who's smart, suddenly every character I've played is smart. If I'm playing a bad guy, every character is a bad guy. I suppose it's that thing where people want to see a through-line to understand you. I mean, you know, I have played pretty ordinary people too.
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