It's such a cliche thing to say. I want to choreograph, I want to direct, I want to act, I want to write music, I want to play music, I want to sing. For me, it's never-ending. I want to do it all, really.
When I write a project, it might be something that I want to do and then when I look at it, I'm actually like, "I kind of don't want to direct it." I don't know why, I still love it enough for it to be made and to support it, but I don't want to direct it. I just give it to other directors and they do a good job!
I want to choreograph, I want to direct, I want to act, I want to write music, I want to play music, I want to sing. For me, it's never-ending. I want to do it all, really.
I want to be a Renaissance woman. I want to paint, and I want to write, and I want to act, and I want to just do everything.
When you write, you want fame, fortune and personal satisfaction. You want to write what you want to write and feel it's good, and you want this to go on for hundreds of years. You're not likely ever to get all these things, and you're not likely to give up writing and commit suicide if you don't, but that is -- and should be -- your goal. Anything else is kind of piddling.
I could never really imagine myself doing one thing, and I'm pretty sure that I'll end up doing four or five different things. I want to be a Renaissance woman. I want to paint, and I want to write, and I want to act, and I want to just do everything.
I have no ambitions at all! I have none... seriously. I want to be a good father. I want to be a good husband. I want to be a good son, a good brother, a good family member. I don't have any ambition to direct a film or write a play. I like acting.
I do not know if it is true that all actors want to direct and all directors want to act, but in 1972 I tried directing and decided I had better stick to acting.
A light has dawned for me: I need companions, living ones, not dead companions and corpses which I carry with me wherever I wish. But I need living companions who follow me because they want to follow themselves- and who want to go where I want to go.
There's a whole thing now in the entertainment industry that's like, 'You need to write for yourself. Those are the people that are really valuable.' And it's just like, 'I don't want to! I just want to act!'
All these guys that want to act tough and act like they're hard in the street, that's cool, man. I'm glad you want to act hard, and your emotions are driving crazy, but you need to get out of your feelings, nerds.
I want to do film and TV. I want to make good stories. I want to write; I want to be more involved.
What am I now, Alai?" "Still good." "At what?" "At--anything. There's a million soldiers who'd follow you to the end of the universe." "I don't want to go to the end of the universe." "So where do you want to go? They'll follow you." I want to go home, thought Ender, but I don't know where it is.
The mental state I'm in is completely different, but the act of trying to write is the same. I mean, in all instances you try to write good sentences. But in a novel you're free to do whatever you want, and in the autobiographical works you can't make things up.
I also think if you get sort of early success there's always this part of you which feels like, "I need to address the imbalance, I need to kind of earn that success after the fact". I try to find roles that are hard and also, I still find now, even after I've done loads of really random movies, directors are really surprised that I want to play the parts that I want to play. They just assume that you want to only do the honorable good guy lead who saves the day or dies at the end .
You hear it said time and time again by successful directors: You have to make a movie for yourself. Don't make it for anyone else. My style of filmmaking happens to be give the audience what they know they don't want, but they want. Ultimately I have to write and direct in a way that let's just say, you don't want to regret making a choice.