A Quote by James Cromwell
I play an 89-year-old man whose wife has Alzheimer's in a movie called 'Still.' I play a World War II veteran, I acted with my son and it's called 'Memorial Day.'
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The need for a non-veteran reserve became painfully obvious in the Korean war when many of the men who were being called to serve were World War II veterans participating in Ready Reserve units.
The Kings played out of the Memorial Community Centre, an old wooden barn like you'd see in other Prairie towns. It was built after World War II and the Kings were the biggest thing in town. The Memorial was packed for every game - maybe 3,000 when we'd play the Kenora Muskies or other rival towns. It seemed like everyone in town came out to games.
In my final year at Bristol University, I wrote a play called 'White Feathers.' It was produced in the studio theatre at the students' union in early 1999, when I was 21. It's 100 pages long: a very traditional play, with an interval, about deserters in the First World War.
I'd rather be called a boy and play with paper airplanes than be called a man and play with a girl's heart.
President Bush paid homage Wednesday to World War II veterans of Normandy at the D-Day Memorial. Later that night, his twin daughters paid a special tribute to World War II veterans of the Pacific. They each downed two kamikazes.
There's an amazing movie, I think the best war movie ever made: it's called 'Come and See.' Soviet film. Made in the Soviet Union. It was about Belarusian and Ukrainian partisans in World War II.
I was born just after the end of World War II, and with my friends in our little suburban backyards in New Jersey, we used to play war a lot. I don't know if boys still play war, they probably do, but we were thrusting ourselves into recent history and we were always fighting either the Nazis or the Japanese.
No one wants to see a play called 'Lady Windermere's Fan'. It's going to be called 'Cocks in Frocks II' or I will find another publisher
I still remember how me and my husband spent 30 minutes trying to convince our then 10 and 12 year old son and daughter that they really would love this black and white movie called, 'It's a Wonderful Life'.
Never play cards with a man called Doc. Never eat at a place called Mom's. Never sleep with a woman whose troubles are worse than your own.
The Son is called the Father; so the Son must be the Father. We must realize this fact. There are some who say that He is called the Father, but He is not really the Father. But how could He be called the Father and yet not be the Father?... In the place where no man can approach Him (I Tim. 6:16), God is the Father. When He comes forth to manifest Himself, He is the Son. So, a Son is given, yet His name is called 'The everlasting Father.' This very Son who has been given to us is the very Father.
There's another film - a little Greek movie - that hopefully is going to get some distribution here in the U.S., called 'Worlds Apart,' where I also play a 60-year-old guy who looks a lot like J.K. Simmons, who has a romantic relationship with an appropriate woman.
Even a 30-year-old man whose wife dies is eleven times more likely to commit suicide than a 30-year-old man whose wife is living. At age 30, when men can bury themselves in their jobs and are physically and financially attractive to women, the loss of the one woman a man loves is so devastating it is often not softened even by the opportunities for many women... in brief, it is the loss of love that devastates men.
I actually thought that the idea of doing a World War II movie in the guise of a spaghetti western would just be an interesting way to tackle it. Just even the way that the spaghetti westerns tackled the history of the Old West, I thought it could be a neat thing to do that with World War II, but just as opposed to using cowboy iconography, using World War II iconography as kind of the jumping-off point.
We sit at our consoles and play "Gears of War", but we don't see images from war. We don't turn on the news and see the evidence of war, the result of war. Maybe twice a year, Memorial Day, Veterans Day, we'll go out, we'll hang our flags, we'll try to inculcate in our children some sense of national honor for the fallen. But really, we don't see it. We just don't see the pictures. There's no drive-by on the freeway of death up close. So we don't really see bravery.
I was doing a Broadway play, and I was really new to this business. The Broadway play was my first job, literally. The play next door was a musical called Falsettos. The director got hired to direct this Michael J. Fox movie and was looking for a kid who could play brash and salty and mean [in Life With Mikey].
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